Jul 31, 2018

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Doctor Strange"




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Buchtitel

Doctor Strange 2016

Geltungsdauer

153 Memorandum

Kinostart

2016-10-25

Beschaffenheit

ASF 720p
HDTS

Buchgattung

Action, Adventure, Fantasy, Science Fiction

Sprachfähigkeit

English

castname

Manoff
T.
Mohamed, Danton A. Santino, Olivie V. Aldin









Doctor Strange 2016 Doctor Strange ganzer film deutsch, Doctor Strange online stream - Ganzer film, Doctor Strange ganzer film online stream - Deutsch



With each new Marvel film one could expect the studio to push the limits of what a superhero film should consist of. Films such as Captain America: Winter Solider, Guardians of the Galaxy and Ant-Man all consisted of elements that we have never seen within a superhero film before. Now, Marvel Studios attempts to push the envelop once more by leaving the world of high tech armors and super soldiers and entering the mystical world of magic. Leading this charge is Benedict Cumberbatch's Doctor Stephen Strange and hopefully he could answer why there is this strange mystical feeling that we have seen this all before.



> From Marvel comes “Doctor Strange,” the story of world-famous neurosurgeon Dr. Stephen Strange whose life changes forever after a horrific car accident robs him of the use of his hands. When traditional medicine fails him, he is forced to look for healing, and hope, in an unlikely place—a mysterious enclave known as Kamar-Taj. He quickly learns that this is not just a center for healing but also the front line of a battle against unseen dark forces bent on destroying our reality. Before long Strange—armed with newly acquired magical powers—is forced to choose whether to return to his life of fortune and status or leave it all behind to defend the world as the most powerful sorcerer in existence.

I am going to start off the review by discussing the only strong positive thing that came out of Doctor Strange and its by far the visuals. Beautiful vibrant colors pop at you throughout the film, the costume design is beyond extravagant and the framing is spot on. Doctor Strange and his fellow Sorcerers Supremes powers aren't fully on display until they enter the Mirror Dimension and my god, Tony Stark and Bruce Banner would hate this place. As they are men of science, they would hate that all rules of physics are thrown out the window as our Sorcerers Supremes are capable of breaking buildings apart and reforming to however they please. It is hard to not reference Inception but no one here is dreaming, these visuals are being created by the hand of mystical men and they use it to their power.

In all honestly, pushing the envelope when it comes to visuals was not a difficult task at all. Heck, if they didn't I would have been extremely disappointed as it was an obvious opportunity to take advantage of since we are dealing with magic. I am still extremely disappointed regardless as director Scott Derrickson completely missed another obvious opportunity to push the envelope this time in regards of character development.

Doctor Stephen Strange is very much like a Tony Stark and other superheroes we have seen in films before as he is arrogant, egoistical and full of it. After Strange's accident in which he suffered extreme nerve damage to both hands, he dishes out every penny to his name to repair his hands in hopes he could continue his career as neurosurgeon. Every attempt fails and Strange becomes desperate enough to head to Nepal and finds himself under the guidance of Tilda Swinton's The Ancient One. Learning a whole new concept in the mystic arts forces Strange to reshape his way of thinking but Scott Derrickson does not let this have Strange reshape who he is as a person as well.

Doctor Strange should have found himself being more like a Steve Rogers towards the end of the film as learning the mystic arts and his accident alone should have broken his ego. But instead everything still comes easy to him as he masters magic with ease with very little tension. He has a couple hiccups in the beginning but once The Ancient One puts him under her wing it is smooth sailing and Strange is stealing texts, wielding powerful weapons and defeating Supremes with decades of training with ease.

You cannot say that Strange was destined for the mystic arts and that is why everything came so easy for him. Strange is only learning the mystic arts due to circumstance. If he doesn't get into an accident, which happened to him due to being careless, he doesn't find himself in Nepal. Harry Potter was destined for magic, not Strange. Strange fails to grow as a character because he continues to be proven right and no consequences seem to happen due to his actions.

It is hard to get into the character development of our supporting characters Benedict Wong's Wong and Chiwetel Ejiofor's Mordo as I would utterly spoil the film for you. All I would say though is that they were both mishandled and deserved better developments. It is a shame too because Wong and Ejiofor are superb actors but wasting talent is something Marvel Studios is used to.

When will Marvel Studios get a villain right? With Mads Mikkelsen playing our lead villain, Kaecilius, I thought we might finally get a cinematic Marvel villain that is on par to Killgrave and Kingpin over at Marvel's television department. Ultimately, Kaecilius and Doctor Strange end up fighting due to the most silliest cliche: being at the wrong place at the wrong time. The two individuals meet at the New York Sanctum Sanctorum in which Strange accidentally gets blown in to. Kaecilius is there to kill the protector and Sanctum Sanctorum itself and has no knowledge of who Strange is. In fact, he honestly believes Strange's name is in fact "Mister Doctor." Still learning his craft, Strange is capable of putting up a better fight than the protector who should be a matter. I mean, he is a protector after all. There are no stakes for Strange, strange.

Visually appealing could only get you so far as Doctor Strange fails to focus on the development of their characters that they made so appealing to the eye. Doctor Strange will become a huge asset to the Marvel Cinematic Universe and lets hope we see the rest of Strange's development when he casts his next spell. There is so much untapped potential in Strange's character, we just haven't seen the best of him yet.
All continues to be well in the Marvel Comics Universe as the film adaptation of another mischievous and majestic superhero from Stan Lee’s printed page empire emerges and reigns supreme on the big screen. The latest cure from the Marvel movie bag of explosive tricks is the entry of the dazzling and decorative **Doctor Strange**. Armed with a collection of notable performers, a convincing colorful scope of visual vibrancy and a hearty touch of spiritual and reflective potency the spellbinding **Doctor Strange** is an engaging and oddly sophisticated action-oriented comic book fantasy adding imaginative flavor to the typical escapist gem from the Marvel stable of powered personalities.

Some may argue that **Doctor Strange** is merely another conveyor belt cinematic comics confection that follows a safe and similar makeup that constitutes the obligatory Marvel Comics movie foundation–excitable weirdness, overly splashes of wayward whimsy, copious characterizations attached to their brand of eccentric grandeur and larger-than-life gestures of dark and devious exploits grounded in the basic landscape of good versus evil. Listen, sometimes traveling down the conventional path of constructed and adventurous Marvel-made spectacles is not necessarily a bad thing to consider. After all, the well-known and more popular superhero icons such as _Spider-Man_, _The Incredible Hulk_, _Iron Man_, _The Avengers_, and _The X-Men_ for instance seem to benefit nicely from the anticipated formula that routinely delivers the entertaining goods for its avid core of fanboys. So why not wipe off the seemingly obscure and underrated **Doctor Strange** and provide the same kind of popcorn-pulsating mystique for blockbuster cinema?

**Doctor Strange** started out as a comic book creation in 1963 by Steve Ditko and Stan Lee. Director Scott Derrickson (“Paradise Lost”, “The Exorcism of Emily Rose”, “Sinister”, “Deliver Us From Evil”) does an admirable job in giving shades of bizarre brilliance and magical manipulation to an unconventional Marvel comic book character hardly known for his capacity to translate his mystical mastery to celluloid with compelling curiosity. Derrickson, known primarily for his creative juices in the realm of horror fantasies, confidently serves up the off-kilter and hypnotic appeal of Dr. Stephen Strange as embodied by accomplished English actor Benedict Cumberbatch (“Black Mass”, “The Imitation Game”, “12 Years a Slave”). Interestingly, Derrickson and his handful of screenwriters craft **Doctor Strange** with a mind-blowing measurement of restraint and inquisitiveness. Indeed, **Doctor Strange** echoes its contemporary Marvel-established movies with predictable pluckiness to a certain extent but what is appreciated more is the uniqueness of the film’s ability to emphasize a cerebral superhero that is cut out of a different kind of creative cloth which feels quite distinctive from other brooding Marvel mavericks. Cumberbatch–mastering a rather effective American-accented sorcerer with skill–has injected a degree of inventive nobility and refinement that uplifts this calculating comic-book fantasy.

Cumberbatch’s egotistical Stephen Strange is an incredibly gifted neurosurgeon. His hands are truly miraculous tools of his medical trade and he takes pride in his abilities to treat the critical patients that have tremendous hope courtesy of his therapeutic capabilities. In a nutshell, Strange outshines his other surgical competitors because he is able to give to his patients on the operating table something other doctors cannot instantly muster up. However, cruel fate strikes its ugly head when Strange suffers the usage of his precious hands as a result of a horrific car wreck. The nerves in his hands are destroyed and the non-functioning of his limbs is an awful reminder that his surgical talents are something of the immediate past.

As Strange delves into self-pity and surfacing depression he cannot see just how supportive his fellow physician Christine Palmer (Rachel McAdam) is toward him. Clearly, Christine is in love with the alienating medical moper but Strange simply does not realize the extent of her affections because he is too busy sulking about his misfortune. The only factor that gets a promising rise out of Strange is his recent acknowledgement of the Tibetan community where there is a Kamar-Taj temple rumored to restore ailing body parts destined to make an individual “whole” and “complete” once again. Naturally, Strange wants to bypass the tedious and lengthy therapy sessions for a chance to experience the miracle of his once-amazing operating digits now ravaged by severe nerve damage.

The main source behind the Kamar-Taj temple’s heralded existence is The Ancient One (played by Tilda Swinton). She is instrumental in teaching the fundamentals of a selected Eastern mysticism that teaches the special concentration of healing the wounded and wasting human body when scientific medical practices fail to do so. Soon, Strange’s affiliation with The Ancient One and her mystical minions has more than a transfixing effect on gaining control of his ailing hands as he gains indescribable powers through the inner strength of mind and soul. Now, Dr. Strange can generate his own alternating state of philosophical wizardry that dictates shaping time and space dimensions. Strange’s out-of-body experiences supersede all his previous physical impairments as a force to be reckoned with at large. Whether observing Strange’s Cloak of Levitation methods or witnessing his supernatural prowess on the mean streets against wickedness Doctor Strange spins a wild and weird web of action-packed surrealism that is a welcomed addition to Marvel Comics’ showcasing of super-heroic protective cads feisty in flaws and frivolity.

Cumberbatch is mesmerizing as the self-absorbed genius Strange who perhaps is the best complex Marvel-related protagonist since Robert Downey Jr.’s flippant Tony Stark/Iron Man. The combination of heightened arrogance and high-brow self-doubt and vulnerability tactically works as Cumberbatch sells this portrayal solidly. Although Swinton’s The Ancient One is an intriguing enigma in her own right one must question why the absence of an Asian actor not considered for this particular role may have some scratching their heads in indignation? McAdam’s love interest Christine amounts to only being an afterthought not just in the eyes of her object of affection Strange but to the audience as well.

Thankfully, the other supporting players contribute marvelously to the festivities. Oscar nominee Chiwetel Ejiofor (Cumberbatch’s co-star from the Academy Award-winning “12 Years a Slave”) plays fellow sorcerer Mordo while Benedict Wong assumes the duty as another one of The Ancient One’s followers who guards the school’s sacred scriptures. Mads Mikkelsen is devilishly received as Kaecilius, the former disciple of The Ancient One gone rogue whose agenda in releasing an ominous demon Dormammu to the world will test the will of Doc Strange’s newfound mystical techniques and tactics.

No doubt that **Doctor Strange** is an impeccably surging superhero fable laced with stunning aesthetics and a richly robust score by Michael Giachinno. The high caliber of talent associated with this spry comic book actioner definitely ensures another superhero film franchise-in-the-making as Cumberbatch’s introspective doc administers his **Strange** dosage of Marvel movie-making medicine for the ages.

**Doctor Strange** (2016)

Walt Disney Pictures

2 hrs. 10 mins.

Starring: Benedict Cumberbatch, Tilda Swinton, Chiwetel Ejiofor, Mads Mikkelsen, Rachel McAdam, Benedict Wong, Benjamin Bratt

Directed by: Scott Derrickson

MPAA Rating: PG-13

Genre: Science Fiction & Fantasy/Action & Adventures/Comic Book Fable

Critic’s rating: *** 1/2 (out of 4 stars)

(c) **Frank Ochieng** 2016
Though the core events may not be anything new for the MCU, particularly in so far as its origin stories go (Stephen Strange's A-to-B is virtually identical to Tony Stark's in the first _Iron Man_ film) the psychedelic filter through which we experience these events is entirely fresh!

Not all of the humour lands, and in fact sometimes actually detracts from the story. While the effects are very impressive from a conceptual angle, the graphical end-products do sometimes fall short. Benedict Cumberbatch is a fantastic actor, and does a fine job as Doctor Strange, virtually the whole cast are proven actors, but none are really given the chance to flex those acting muscles to any sort of a newly impressive degree.

Those minor nitpicks aside, _Doctor Strange_ is another very successful entry to the MCU, just further proving that Marvel really know what they're doing in this latest form the film industry has taken.

_Final rating:★★★½ - I strongly recommend you make the time._
I will begin this by saying I was hyped about this film since it was announced because I was always attracted to magic and the supernatural and Doctor Strange is one of my favorite Marvel superheroes.
PLOT:A simple enough story,a brilliant surgeon's journey from the peak of his career to a ruined man,incapacitated due to an accident.Losing all his money in an attempt to heal his hands,he finds out about a mysterious healer in a place called Kamar-Taj.With his last dollars, he gets a one-way ticket to Nepal to find this place and is introduced like so into a whole new world.He has an affinity for what he discovers to be called "The Mystic Arts".He learns and develops quickly but is thrown into a fight with the one who would become his first nemesis, Kaelcilius,too soon.He is almost killed but with the help of his ex-fiancée,Dr. Christine Palmer(who operates on him) he is saved and returns to the Sanctum Sanctorum.He tries to stop Kaelcilius but needs to be rescued again by his teacher,who is killed and leaves him with a valuable lesson.To finally defeated the Zealots he bargains with their boss,catching him into a time loop for all eternity if he does not call his servants off and sets everything right.In the end his ex-friend and mentor,Mordo goes on a quest of finding himself and ends up becoming a sorcerer murderer.
Characters:
1)Dr.Stephen Strange:Benedict portrays him amazingly and is always on point with the character.I liked his journey and how he changed and grew to see that he is just a tiny bit of an infinite multiverse.He was pretty good using magic and I hope he will develop quicker to the Sorcerer Supreme.
2)The Ancient One:My favorite character in the movie.She is a wise teacher,has the best quotes,best battle scenes,best entrances and an amazing battle costume.I loved how even she was aware that for higher goals she needed to cross the line and do things she teaches against and also isn't proud of.
3)Kaelcilius:A tragedy of love brought him to Kamar-Taj where he ascended to the rank of master.Tired of following The Ancient One and still haunted by the death of his loved he seeks to stop time,to give his new teacher,Dormammu our world.Mads was amazing in the role,his whole ideology of time as the enemy of humans and them longing for eternity is interesting and really on point.He briefly achieved his goal,a shame he became a mindless one.
4)Karl Mordo:Another prominent student,who doesn't ask questions,doesn't contradict and is pretty adamant about trust and has lots of issues with bending the rules.He was very disappointing and boring and his only interesting feat was that he became a villain.
5)Wong:Decent but underused character,he will surely be seen a lot in the later movies as Strange's right hand.
Magic:We are introduced to magic as an energy harnessed from various dimensions to create things of need,to conjure spells.An interesting take on such a vague but intriguing subject.
Post-Credit Scenes:
1)Thor scene:takes place in 2017 with Thor asking our Doctor(has gloves,seems more powerful,informed) for help to find his father,trapped on Earth.He accepts with the condition that they would leave our realm as soon as they are reunited.
2)Mordo scene:He went on a quest of getting rid of all the sorcerers of Earth.
Overall:A very decent movie with amazing special effects and super acting.A must see.
**When a science person was the chosen one in the spiritual world!**

You would have not expected it from this director if you had seen his previous films. This was based on the Marvel comics that I haven't touched. So basically I had high expectation to witness another side of Marvel universe with another set of (super)heroes. And surprisingly, it was very entertaining, nothing like other Marvel's heroes/story, except the possession of superpower to fight evil forces.

Firstly, Benedict Cumberbatch in the lead in a Marvel film, I did not think it would work. All I knew is he was a great sidekick, but that image has changed here. He was wonderful, definitely I'll be looking forward to its sequel as they had confirmed at the end. The theme wise, it is similar to most of the superhero tales, but some new concepts were added to it, I mean the superpower and that's what made it so unique.

Just like 'Thor', this film as well had taken the spiritual believes only for the basic platform. The rest of the developments are the clear mix of fantasy (illusion) and science. So it means the film is for theists and atheists. I am one of those who did not like 'Inception', which I think an ordinary action film with multiple layers. But this one was so awesome and it is for the people like me who think 'Inception' failed.

Visually spectacular. I regret missing it out in digital 3D. Its Academy Awards nominee in the category of Best VFX tells the story. There will be a tough contest, even I'm up for 'Jungle Book', but I won't be sad if this wins. The success story of Marvel continues. Not everybody reads comic books, but film goers are the majority. So adaptations like this are people like me. Let them keep coming, I love this format better. This film is not just for the youngsters, but old, families, as well as kids can enjoy, so I hope you won't miss it.

_8/10_
It is actually quite some time since I watched Doctor Strange but somehow the movie must have slipped between the cracks since I appear to have forgotten to review it. So I am about to remedy that now. To put it in simple terms: This is an excellent movie. It is a wonderful display of magical fireworks with a decent enough story to keep it together.

I have to confess that I have not really read many of the comics containing Doctor Strange so it is a bit difficult for me to comment on the aspect of the film versus the comics. From the little that I have read I got the impression that the comic book version of Doctor Strange was a wee bit more dark, serious and mature. This movie starts from the beginning of his career though so I guess there is some justification for the less mature Doctor Strange in the movie.

Doctor Strange is a skilled neurosurgeon but a bit of an asshole. Actually more than “a bit”. He gets involved in a accident, that he pretty much causes himself due to his arrogance. Fast forward to the interesting chapter were we get to see Doctor Strange being, reluctantly, admitted into a scruffy looking monastery on the other side of the planet. That is when the fun starts. Doctor Strange is in for a ride. Slowly Doctor Strange gets knocked into him that magic exists and he is expected to practice it.

The time at the monastery, or perhaps we should call it a school, leads to a few funny episodes and I do like the head monk’s bantering with Strange and the way she does things. Talk about getting thrown into the deep end of the swimmingpool first. Strange’s continued arrogance and immaturity is a bit annoying from time to time though. That has to be said.

What is the use of super heroes if there are no bad guys around. So after Strange having trained for a while, and mostly failed miserably, the bad guys starts to crash the party. So no more pretty living room magic for Strange. It is time to go head to head with some serious competition. Unfortunately, for a good chunk of the first fights Strange mostly falls on his arse. They are still cool and beautiful to watch though.

Slowly Strange starts to get to grip with this whole magic thing and he also starts to shed some of that arrogance of his and take some responsibility. About time since the despicable bad guy are, of course, working towards freeing the real BIG bad guy, father of all evil and mother of everything else bad you can think of. Time for a showdown.

As the fighting escalates so does the user of special effects and personally I though the special effects were both beautiful and spectacular. I really liked them.

I am not sure Cumberbatch would have been my first choice for Doctor Strange though. To me he do not really project the image of the wise and skilled Wizard I expected. He is not bad though. The only other person that stood out for me was the chief monk and The Ancient One which I also quite liked. The rest of the characters, well to me they mostly lived in the shadows of these two, even though they were in general likable and sometimes fun.

There were a few rather hilarious parts where Strange has to reveal the truth about what he stepped in to his former girlfriend. I have a soft spot for the surprise moments in both movies and books.

I rather not get started on time travel since I generally hate it as a story element since it almost always leads to paradoxes or is simply so poorly done that it is blatantly obvious that someone tried to cover up for a lazy and shoddy story. However I guess I have to mention that screwing around with time is an important part of the plot in this movie. Luckily it is done in such a way that it do not, in my opinion, negatively impact the movie. Actually, to my surprise, it is used in a rather cool way.

So, bottom line, a movie I liked quite a lot. 5 out 5 stars kind worth of liking.
I thought marvel was going to far with all the releases.I was right about this one,Dr Strange was like Inception on DMT.Far to much CGI!.And for the story it started off in the right direction then it just ended up going STRANGE.All in all worth a look.But nothing special.
It was only a matter of time before magic and time travel found their way into the MCU, but Doctor Strange is a really well put together origin story on a character that could have been a mess to adapt as a film. Chiwetel Ejiofor, Rachel McAdams, Mads Mikkelsen, along with the Benedicts give the film lots of charisma, but the real star here is the style that Scott Derrickson and his crew were able to create. This is such a cool looking movie, both beautiful to look at and impressively technical.

Like most Marvel movies, Doctor Strange has a mediocre generic villain, but the characters combined with the visuals still make for a uniquely entertaining experience.

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Split 2017 Ganzer Film - 720p - AVCHD

Split 2017 Online Anschauen



Split"




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Rechtsanspruch

Split 2017

Dauer

134 sehr klein

Entladung

2017-01-19

Beschaffenheit

WMV 720p
BDRip

Genre

Horror, Thriller

Sprache

English

castname

Elsey
P.
Moussa, Danika U. Jaylene, Humyra C. Yvon









Split 2017 Split ganzer film deutsch, Split online stream - Ganzer film, Split ganzer film online stream - Deutsch



There has been much discussion about whether or not it is socially acceptable to watch Split. I'm gonna skip right over all of that and talk purely about the movie itself.

Anya Taylor-Joy is good, but McAvoy is what makes Split worthwhile. The heavily touted twist/reveal was all but a non-event, even to a M. Night alum like myself. Though it is certainly (in my opinion) the best work The Shamhammer has brought out since at least Signs, it's hard to say that its successes rest on his shoulders. Again, it is for McAvoy that we really owe praise, who, with the exception of his role as the lead in Filth, gives his career best performance.

Final rating:★★★ - I personally recommend you give it a go.
Split was a movie that I was a bit weary to see, I had been bitten by M. Knight before and I wasn't sure if this movie would be worth while. But the trailers looked great and I had always thought James McAvoy was a seriously underrated actor.

Split surprised me. I loved this movie. Ann Taylor-Joy was decent in the film and the Dr was great, but McAvoy knocked it out of the park. Being able to portray all these different personalities with no props such as wigs or makeup shows his talent. It was amazing how one personality made you feel uneasy and perplexed and the next had you smiling and feeling like you were really staring at a strange child. Bravo McAvoy.

The twist at the end made me love this movie even more. Though I'm not sure if you can really cal it a twist. A "reveal" might be the better word for what the audience learns. Whatever you want to cal it, the reveal at the end made me excited to see what's next!

The only thing I didn't like about this film was the unresolved conflict between Ann Taylor-Joy's character at the end of the film.
Besides that, I loved it. Definitely worth watching.
**Didnt see the review section at first so,I posted on the forums**

Not a fan of The director since Unbreakable. It was slightly above average but no whee near the quality of The Sixth Sence. I don't know why I keep watching his movies, probably hoping one will be the same extraordinary quality. With all the pre-release buzz I thought this was finally that movie.

I was so disappointed. I rated it slightly lower than Unbreakable. I don't know exactly where it where it went off the rails, but it never held my attention (and I'm not ADHD- I sit though theee hours of a good bio pic.

A good part of this was the girls trying asinine ways to escape; at other time we see McAvoy play several personalities half heartily. After all the award talk I expected a much better and diverse McAvoy. Sadly, just like the majority of Night's films he has his actors perform methodically. It actually felt McAlvoy was pushing his talents against the brick wall of what the director wanted.

He wasn't the only actor who underplayed the role. So did the doctor and the three teenage girls. First, after all these late night calls for extra appointment why didn't she get upset earlier or pull a personality up (which she has stated she can do) to discover the emergency instead of A casual bye--you-leave when another dominant personality shows up to the appointment.

I rate this in the same category of Nights's films except the quality Sisth Sense and Devil, which he did not direct and only wrote the original story,

As for,the ending, I felt it was a cheap shot. If the point was they are in the same time, the message came across far too,strong. If it is a hitnt to an Unbreakable 2 I'll pass and see another big screen feature.
I read some reviews and gave this movie a shot. I was very disappointed.

M. Night Shyamalan's last good movie, in my opinion of course, was The Village, where he had control over his style.

In Split he tries to use the same formula, but it doesn't work. There was no build up in reveling the plot, and then when we get to the end the feeling I got was : "Is that it ?".

Sure all the actors were good, but that didn't make the experience for me any better.
**The 24th's about to explode!**

The much needed break for the director Shyamalan. It has been over a decade since the last time he was lauded like this for his work. On the paper, it was a simple split personality disaster theme, but cinematically clicked so well. Firstly the performance of James McAvoy made this film a very success. I have seen his lots of films, but if I had to choose only one of his great, that's would be easily this one. A straightforward story, no complication to understand, or needed to explain everything it revolves. Then suddenly the final act turned into a different mode. With a twist, all comes to end.

The three teenage girls have been kidnapped at the beginning. Following that, the victims do not know the situation, but makes a couple of bad moves, except one girl. As the film progress, many secrets revealed to us, particularly about the kidnapper. It all developed to lead in one direction where an unimaginable thing going to happen. How and what result it brings told in the following parts.

The perspective of the story was not really a thing in this. That means it does not take sides, but gives you the option to choose. And most of the viewers would root for the weird girl. It was Anya, and she's having a wonderful career in early stage. Could becomes one of the best if she contributed all her performances in the same pace and intensity. The music was equally awesome. Created the perfect atmosphere along with the visuals. I could have not asked the better one. Best thriller of the year. You will be stupid to miss it out if you love films.

_8/10_
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

James McAvoy plays Kevin, a man with a genetic disease which allows him to have multiple personalities. His trusted psychiatrist, Dr. Karen Fletcher (Betty Buckley), knows 23 of them, but there's one hidden from everyone who desires to dominate over all the others. Compelled by one of his personalities, Kevin abducts three girls, where Casey Cooke (Anya Taylor-Joy) becomes their leader to try and escape the "crazy" man.

Is this the return to form by M. Night Shyamalan, who has been struggling for more than a decade to release a major success? Is Split the movie that brings him back to the spotlight?

Once again, Shyamalan's storytelling is very original, unconventional and ultimately mind-blowing. Instead of establishing everything the audience needs to know about the characters right at the beginning, he gradually develops them, giving them haunting backstories and spreading parts of it throughout the runtime. That said, this film isn't for everyone. The audience needs to trust Shyamalan and be patient. Really patient. Don't start taking notes about something that you think it's negative because once you reach the third act, everything changes and suddenly it all makes sense. The screenplay is not as twisty as Unbreakable, for example, but it demands absolute attention in order to catch up on all the things that matter (and the ones that don't, as well).

The production and editing team have to be congratulated due to their seamless work. From the camera work to the extended one-take sequences, as well as the environment surrounding the characters, everything feels real and looks amazing. The soundtrack ... Let me just say that this element is so, but so much relevant to the conclusion of this movie. I can't really say anything else without spoiling the ending, so I'll leave a note after my rating at the end of the review with a MAJOR SPOILER.

As for the cast, I'll start with the man that I honestly think should have received an Oscar nomination: James McAvoy. You know, there's a big difference in portraying a non-fiction character instead of a fiction one: concerning the former, you can't really escape the true nature of the person you are playing, but with the latter, as an actor/actress, you have to deliver yourself 100% to the role for it to be believable ... And God, does McAvoy deliver! He gives 200% in what could be his best performance to date. Do you think Andy Serkis had problems portraying both Gollum and Sméagol at the same time? Well, imagine 7 ... or 8 characters. I lost the count. All in all, James McAvoy, sir, congratulations! You are superb!

Anya Taylor-Joy is also incredible as Casey! Her character has the most intriguing story of the three girls, and she's the one who assumes the leadership of the group once the kidnap occurs. Her initially unknown past helps her through the traumatic situation, but it's really her rather captivating backstory that grabbed my attention. It's fundamental to the understanding of the ending and Anya does a terrific job. I also want to give a small praise to Betty Buckley for a beautiful and necessary interpretation of Dr. Fletcher, a character that offers the audience some knowledge of Kevin's disease.

As for the other two kidnapped girls, well ... They're my main issue with the film since they don’t have a good reason to be there. Claire (Haley Lu Richardson) and Marcia (Jessica Sula) aren't the main characters, and they don't have that much screen time, but their dialogue still feels extremely forced and filled with a lot of nonsense. The ending of the story might not be as twisty as in other Shyamalan's installments, but I hope that people don't give up to false expectations. The classic Shyamalan's twisty ending isn't a necessary attribute of his movies, but the truth is that the twist is not the one you think it is. Once again, the note at the end of my review will clarify this.

In the end, Split is Shyamalan's return to his old early 2000's self. Brilliantly unconventional storytelling, a lot of suspense, some very captivating subplots and a fantastic editing and production team behind him. The soundtrack plays a huge role in this film, as well as James McAvoy, who delivers his career-best performance. Anya Taylor-Joy is also pretty extraordinary, something that can't be said about her fellow friends who portrayed two bland characters. The ending brings the classic twist that makes everything more understandable, and I gotta say ... I love this film, and it is one of 2017's best!

MAJOR SPOILER BELOW

As I said above, the soundtrack plays a huge role in the ending twist. That's because the soundtrack that plays right before the title of the movie appears on the screen, is the same one as in the third act of Unbreakable.

This is one of the many clues throughout the film that hint at the idea that Split belongs to Unbreakable's universe. Naturally, after the title shows up, there's a scene with David Dunn (Bruce Willis) that confirms this theory, but these are little details that make Shyamalan into a great director and screenwriter. Also, it's a pity that I've only watched these movies after Shyamalan stating that they were part of an eventual trilogy. Not that I was not surprised at the end of Split, but it did remove that first impact of pure shock in knowing that two films separated by 17 years (in real life) are part of the same universe.

Both movies end up falling into the "superhero" genre. Unbreakable is the story of our "hero" who spent his whole life sad because he wasn't doing "what he was supposed to do", and Split is an origin story of our "villain". If Glass delivers, this might be one of the best “superhero” trilogies ever.

Rating: A
You like to make fun of us, but we are more powerful than you think.

Split is written and directed by M. Night Shyamalan. It stars James McAvoy, Anya Taylor-Joy, Betty Buckley, Haley Lu-Richardson and Jessica Sula. Music is by West Dylan Thordson and cinematography by Mike Gioulakis.

Three girls are kidnapped by a man with a diagnosed 23 different personalities. They must try to escape before the apparent emergence of the 24th - known as The Beast...

We now know that Split is the second instalment of a trilogy by Shyamalan that began with Unbreakable and is ending with Glass (released 2019). Always proving to be a most divisive director/writer/actor, Shyamalan has returned to the sort of noticeable form that had him earmarked in his early days as a director to follow - with the proviso that inevitably this is going to still infuriate some for its handling of the subjects at hand.

The plot trajectory is simple enough, girls kidnapped by a patient suffering from multiple personality disorder, as the girls in fear try to escape, a number of his personalities put in an appearance. Which builds up to the finale, which explodes after following on from the suspense and dread atmospherics so beloved by the director. In the mix joining the mental health issue with our main protagonist is a good meaning doctor (naturally), and the spectre of child abuse rears its ugly head. So not a movie to be cheered up by then! While if looking for a detailed and attentive look at the mental health issues to hand you will be disappointed.

However, there is a style to the picture in how it draws you into the predicament of the main players, boosted no end by McAvoy on irresistible form. Given licence to chew every scene, he delivers his various characters with great relish and no little amount of skill. Props to for Taylor-Joy, who as the lead kidnappee has deftly blended youthful innocence with resourceful strength (aided by Shyamalan's writing of course). Conversely, Shyamalan is guilty of just making a pic for entertainment purpose, which works as it's a very good creepy thriller with its black humour moments, but the mental health plot devices ensure his gimmicks will not be welcomed by all. 7/10

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Schalldruckpegel – Wikipedia ~ Der Schalldruckpegel englisch Sound Pressure Level und oft mit SPL abgekürzt ist eine logarithmische Größe zur Beschreibung der Stärke eines gehört zu den SchallfeldgrößenHäufig wird der Schalldruckpegel obwohl dann physikalisch nicht eindeutig auch einfach Schallpegel genannt

Chandelle – Wikipedia ~ Die Chandelle franz für „Kerze“ ist eine Figur ist nicht im ArestiKatalog enthalten mithin also keine ist auch nirgends definiert wie die „korrekte“ Ausführung auszusehen hat und es gibt hierüber entsprechend divergierende Ansichten

Gespeicherte Prozedur – Wikipedia ~ Allgemein Mittels gespeicherter Prozeduren können häufiger verwendete Abläufe die sonst durch viele einzelne Befehle vom Client ausgeführt werden würden auf das Datenbanksystem ausgelagert und durch einen einzigen Aufruf CALL oder EXECUTE ausgeführt werden siehe auch ClientServerSystemMitunter wird dadurch die Leistung gesteigert da weniger Daten zwischen Client und

Privatpilotenlizenz – Wikipedia ~ Die Privatpilotenlizenz PPL englisch private pilot license ist eine Lizenz zum nichtgewerblichen Fliegen von Luftfahrzeugen Dabei wird zwischen PPLA für Flugzeuge A steht für engl aeroplane und PPLH für Hubschrauber H steht für engl helicopter sowie LAPL engl light aircraft pilot licence für Leichtflugzeuge bis zwei Tonnen MTOW unterschieden

Abstandsgesetz – Wikipedia ~ Das Abstandsgesetz oder Entfernungsgesetz beschreibt die Abnahme einer physikalischen Größe mit wachsender Entfernung zur Quelle oder zum Sender Voraussetzungen sind eine punktförmige Quelle näherungsweise kleine Ausdehnung der Quelle im Vergleich zur Entfernung die isotrop also nicht gerichtet emittiert und ein freies Feld ohne reflektierende Berandung


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Anrecht

Moonlight 2016

Geltungsdauer

127 Augenblick

Ausgabe

2016-10-21

Qualität

Dolby Digital 1440p
TVrip

Gattung

Drama

Sprachfähigkeit

English

castname

Damiana
O.
Alaynah, Hermila E. Rocco, Nesrine G. Swayam









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Jul 30, 2018

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Bezeichnung

Wreck-It Ralph 2012

Dauer

114 Augenblick

Freisetzung

2012-11-01

Beschaffenheit

Sonics-DDP 720p
HDTV

Gattung

Family, Animation, Comedy, Adventure

Sprache

English

castname

Delisa
Q.
Hubert, Lycia L. Bevis, Tyree N. Eljon









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Wreck-It Ralph is a great movie with my love for games in there with it. The movie had some great childhood memories of mine, with all the characters from the best games. The graphics are excellent and the voice acting couldn't be better. This movie is great for adults and kids.
Surely the thematic is great and it is funny to see old pals from several video games but Wreck-it Ralph lacks the hook of most of Disney movies.

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Fifty Shades of Grey 2015 Ganzer Film Deutsch - 1440p - AVCHD

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Überschrift

Fifty Shades of Grey 2015

Dauer

183 minuziös

Freigabe

2015-02-11

Güte

SDDS 720p
HDTV

Genre

Drama, Romance, Thriller

Programmiersprache

English

castname

Daiana
J.
Cowan, Audry V. Anshika, Malki D. Shawana









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X-Men: Days of Future Past 2014 Online Schauen - 720p - MPG

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Bezeichnung

X-Men: Days of Future Past 2014

Dauer

145 winzig

Aussetzung

2014-05-15

Güte

Sonics-DDP 1080p
TVrip

Genre

Action, Adventure, Fantasy, Science Fiction

Sprache

English

castname

Elfida
B.
Ziad, Dushku C. Maddie, Hansel P. Manesh









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**Year of release** 2014 **Directed by** Bryan Singer **Written by** Simon Kinberg **Starring** Hugh Jackman James McAvoy Michael Fassbender Jennifer Lawrence Peter Dinklage Ellen Page

**X-Men: Days of Future Past** (rating: 4 ++)

**Plot** - In a dystopian future of 2023 where mutant-kind has been all but wiped out by powerful robots known as Sentinels the last surviving mutants launch one final attempt to save their species from extinction. Hiding out in a monastery in China, Kitty Pryde (Page) sends Wolverine's (Jackman) consciousness back in time to 1973. His task is to prevent Mystique (Lawrence) from murdering the Sentinels' creator Bolivar Trask (Dinklage). His murder made him a martyr and ensured that his destructive creation went into production. In addition, Mystique is captured in the process and her DNA used to engineer even more powerful machines. By stopping the murder the hope is that they will change the future and save their species. Seeking out the young Charles Xavier (McAvoy) Wolverine is despondent to find that he is not the man he will come to know decades later. With Xavier a broken man, Wolverine's first challenge is to help him find his old strength. The next challenge isn't one that sits all that well with Xavier; they must break Magneto (Fassbender) out of a prison cell beneath the Pentagon. To do so they enlist the aid of Quicksilver (Evan Peters), a mutant with superhuman speed. With Magneto and Xavier once again standing side-by-side they head to Paris to attempt to stop Trask's murder at Mystique's hands, but will they make it in time?

In a fitting move considering the storyline of this film allow me to go back in time to the year 2000 where I can still remember going to see the first X-Men film in August of that year. Hard as it may be to believe, the big superhero film was not the guaranteed box office success they are nowadays. Following the disastrous reception that met 1997's Batman & Robin the superhero genre was on life support, and another big failure could have seen the plug pulled. Thankfully for all us fanboys out there the film proved to be both a critical and commercial success, kicking off a surge in comic book films which has seen them come to dominate the box-office. Well somehow 14 years have passed since then (and I can't quite believe that :eek:) and we now have the 7th film in the X-Men franchise. Now since the solid start of X-Men the series hasn't exactly been the most reliable in terms of quality and has been rather overshadowed by the Batman's, Spider-Man's, Iron Man's and Avengers' of this world. In truth you could probably split the previous 6 films evenly into 'the good' and 'the not so good'; though to be fair to The Wolverine which I'd put in the latter category it's pretty decent. Well as the 7th film in the series this was always set to break the tie and the good news is that it has swung the pendulum very much towards the positive side of things.

That said however I didn't find that I was quite as high on the film as many other people seem to be. As seems to be the case for just about every other superhero film these days, the release of DoFP has seen many people instantly jump on the bandwagon of proclaiming this the best superhero film ever. While I certainly wouldn't go that far this is an extremely entertaining entry into the X-Men franchise, and one that continues the upswing of First Class. The film does open in absolutely thrilling fashion and ends quite strongly as well. In between these wonderful bursts of action though I just found that the film had a tendency to fall into a lull on a couple of occasions. With its complicated story the film has to spend a lot of time trying to keep things clear for the audience, which sadly results in the situation and the stakes being reiterated time and time again. It just threatens to get bogged down by becoming overly talky, derailing the momentum and in general I didn't feel it was as well paced as Captain America: The Winter Soldier for example. An additional action sequence or two I don't think would have gone amiss. I also feel that it perhaps lacked the colour, energy and sense of fun of X-Men: First Class. Some of that comes from the fact that I didn't feel DoFP embraced its period setting to the degree that First Class did which on more than one occasion felt like a Sean Connery Bond film. A few snazzy outfits and some brief touches upon the Vietnam War aside I don't think it really exploited the 70s era to the fullest. And I think the Vietnam sequence was actually amongst the film's weaker moments; an unnecessary detour which could easily have been left on cutting room floor.

As I mentioned, the opening sequence of DoFP is a terrific way to kick the film off; in fact I think its got to be one of the best opening gambits of any superhero film. The film instantly drops us right into the middle of a Sentinel attack upon the X-Men in the future; making for an absolutely thrilling opening. It's a wonderfully creative sequence that features some genius choreography as the hitherto unknown Blink (played by Fan Bingbing), with her ability to create teleportation portals, emerges as one of the most visually dazzling mutants we've seen so far throughout the series. It's a terrific set-piece that the film arguably never matches for the next two hours, at least in terms of action and excitement; there is a sequence however that is fantastically entertaining which we'll get to later. The big finale then aims to be and mostly achieves feeling like a suitably epic affair that encapsulates Sentinels, the White House and the RFK sports stadium. At the same time the film is also jumping back and forth between this and the future where the Sentinels have once again launched an assault upon the X-Men. The only problem, and one that is in complete contrast to other superhero films such as Man of Steel, is that I didn't feel its concluding battle was quite long enough. The two competing sequences feel like they are slightly lacking in action and drama, and are over too soon.

**Film Trivia Snippets** - In reference to the X-Men member Kitty Pryde, and her importance to this particular film, DoFP was shot under the working title of “Hello Kitty.” /// Days of Future Past is based on a storyline of the same name that appeared across two issues of Uncanny X-Men in 1981, and was written by Chris Claremont. It is now the fourth film to be based on a story penned by legendary X-Men writer Claremont. X2 was adapted from 'God Loves, Man Kills'; X-Men: The Last Stand was based on his 'Dark Phoenix Saga'; and The Wolverine was based on his comic of the same name. In the comic the future world was set in the year 2013, the same year in which filming for the movie version began. /// The bullet wounds that appear on Wolverine's chest on his arrival to the 1970s is in the form of the Big Dipper. This is an homage to the 1980s anime series, Fist of the North Star, whose protagonist Kenshiro has the same scar pattern on his chest. /// Prior to making the film, Bryan Singer had a two-hour discussion with James Cameron abut how to make a time-travel concept feasible and workable within the film. Thanks to Cameron's experience as the director of The Terminator and Terminator 2 the two discussed concepts including alternate universes and string theory (a field of quantum physics that define multiple universes). /// It's quite clear just by looking at the credits that this is one hell of a cast that's been assembled. If you're looking for more proof however then how about this; the four main female X-Men in the principal cast (Halle Berry, Jennifer Lawrence, Ellen Page and Anna Paquin) are all Academy Award nominess, while the six principle male cast members (Hugh Jackman, Michael Fassbender, James McAvoy, Ian McKellen, Patrick Stewart and Peter Dinklage) are all Golden Globe nominees.

With such a prestigious cast at Bryan Singer's disposal it's no surprise to find that performances across the board are generally of a high standard. Though the sizeable cast means that not everyone gets an equal chance to shine; Halle Berry's involvement for example is little more than a cameo. In fact I'm struggling to think if she even had a single line throughout the whole film or if all she did was make it rain a little bit. And the whole future ensemble are almost completely sidelined, meaning that the established regulars are given little to do other than spout some exposition, while the various new additions (Bishop, Blink, Warpath, Sunspot etc) are given absolutely no introduction whatsoever so we have little reason to care about them or mourn their demise. In fact for the majority of them I'm not even sure there names are known until we get to the closing credits. The lack of exposure given to the future timeline was certainly a disappointment. As a result it's in the past where the most noteable performances come from with solid efforts coming from Lawrence, Fassbender, Jackman etc. However the one individual who is able to stand out from the crowd for me would have to be James McAvoy who I thought was just excellent as the young Charles Xavier. The fact that he is given the strongest characterisation and the most to work with certainly helps. We initially find him as this supremely broken individual who is in great pain both physically and emotionally, but with help from Wolverine he is able to find his way back onto his path.

The two most notable additions to the X-Men world this time out were Evan Peters' Quicksilver and Peter Dinklage's Bolivar Trask. And as it turns out the end result for both was completely flipped from what many were predicting beforehand. The promo images for Quicksilver had fanboys already sharpening their knives before the film had even hit cinemas, ready to tear into him with the kind of fervour reserved for Batsuit nipples and Ben Affleck. And yes I have to say that his appearance still comes across as rather bizarre and stupid, kind of like Julian Assange as styled by Lady Gaga. As a character however he kind of kicks ass, his introduction arguably being the coolest addition to the franchise since Alan Cumming's Nightcrawler back in X2. And just like Nightcrawler had with his incursion into the White House, Quicksilver is given the spotlight all to himself at one point to really make a name for himself. This time it's a break-out from the Pentagon where his incredible speed comes into its own with a terrifically fun and inventive set-piece that allows him to steal the film from his more illustrious co-stars before sadly disappearing shortly afterwards. The way he is just written out is rather disappointing and feels like it's only been done to help free up space for everyone else. It does however leave the audience wanting more, so it's good news that he's going to be starring in X-Men: Apocalypse. My only concern about the character is whether they've actually made him too powerful. They show his abilities as being so strong that you imagine he could destroy any mutants, even the likes of Magneto and Xavier, before they even had the chance to respond.

The real disappointment amongst the cast is Dinklage's Trask. Now Dinklage is a great actor, no doubt about that, and I think he personally does good work here. It's just that the character he is lumbered with here I felt was a little bit dull to be honest (particularly for the film's supposed 'big bad'), giving him very little to really sink his teeth into. That also creates one of the film's few main flaws in my eyes; the lack of a strong villain. Trask kind of takes the place of Senator Kelly from the first X-Men film, but that film also had Magneto and his Brotherhood of Mutants as villains. While the future X-Men do face off against the considerable threat of the Sentinels they are a fairly blank entity devoid of an actual character or personality that can interact with the X-Men. Which is not to say they are not effective foils for our mutant heroes, you just get the feeling that there should be big bad in charge of deploying and controlling those machines. In terms of design the Sentinels may disappoint and likely anger the real X-Men fanboys out there, baring little resemblance to their comic book counterparts. In fact they aren't a million miles away from The Destroyer as seen in the first Thor film. However I don't think there's any denying that they most certainly do make an impact; in fact they are rather chilling, unsettling creations. The fact that the X-Men suffer some very violent, nasty deaths certainly heightens that feeling.

**Film Trivia Snippets** - Bryan Singer talked about "changing history" in an interview with Empire Magazine(May 2014). The director stated "I don't want people to panic about us erasing the movies. I believe in multiverses," explaining the possibility of certain events as they would be part of the history of alternate universes. /// In the "Days of Future Past" comic it was Shadowcat (Kitty Pryde) who went back in time; in the film it's Wolverine. According to writer Simon Kinberg, Kitty was intended to be the time-traveller but it didn't work out: "Kitty in the era of young Magneto and Xavier, would have been negative 20 years old. The reflex response to that was a character who doesn't age. Wolverine is the only character who would look the same in 1973 as he does in the future." Thus, Wolverine was picked for being an ageless immortal character who would bridge past and future. /// To create the sensation of Quicksilver's incredible speed ability Bryan Singer filmed his scenes in a special format of 3600 frames per second. This means that Quicksilver will be moving 150 times faster than normal. /// Josh Helman was originally going to be cast as a young Cain Marko/Juggernaut. But Juggernaut was written out of the film, and Helman was offered the role of a young William Styker. /// Bryan Singer based Bolivar Trask on Adolg Hitler; “As Hitler used the Jews as a scapegoat to bond the darker parts of Europe, he's doing the same thing with mutants. But he wasn't a six foot, perfect blond Aryan - he was a short, funny looking fellow!”

Now considering the fairly dense and complicated storyline that encompasses two timelines and what feels like dozens of characters I think that the film's writer, Simon Kinberg, actually does a fairly commendable job of keeping everything in some kind of balance and managing to just about ensure that it all makes some kind of sense. And considering the twisted mess of continuity that he has had to deal with it would perhaps be unfair to poke holes at it. But hey these are films for comic book fanboys, what do you expect but for us to nitpick! :D The film is still unable to address a few niggling questions, perhaps because that continuity mess makes it almost impossible to actually do so. However questions still linger such as how exactly is Charles Xavier still alive after being killed off in X-Men: The Last Stand? What's the deal with Wolverine's claws and their constant shifting back and forth between adamantium and bone? Still no explanation as to why Xavier and Mystique didn't appear to know each other in the original trilogy, but were so incredibly close according to these films etc. The script has to spend so much time just trying to establish the story that there is little chance to focus on the actual characters at its heart. As someone who loved the Magneto-Xavier relationship and interaction in First Class that's a shame. And it feels like there is barely a single line of dialogue in the whole film that isn't exposition

The script also fails to address a few new issues, just completely glossing over them perhaps in the hopes that we just won't notice. For example when and how exactly did Ellen Page's Kitty Pryde get the ability to send people's consciousness through time? And perhaps it's just me but the whole plot point (and it's a very important one) about Mystique's blood being so vital in the development of the Sentinels seems rather vague and questionable in its logic. If they were going to go down that route I feel Rogue would have been a somewhat more logical choice given that her ability is to replicate the powers of other mutants, not just change her physical appearance. It kind of came across as them just trying to shoehorn Mystique into being as important as possible to the film, largely inspired you suspect by the meteoric rise of Jennifer Lawrence since First Class. In fact with Hugh Jackman getting on in years, and his days as Wolverine coming to an end, the search is on to perhaps try and find the new face of the franchise. With Channing Tatum set to take on the character of Gambit he seems like a decent bet to take over that mantle. However with Days of Future Past they certainly seem to be positioning Jennifer Lawrence as another possibility to take on the role if she were to extend her current deal. I doubt anyone would ever have predicted Mystique being pushed to the fore in such fashion. Oh and just as another little nit-pick; was I the only one who thought the make-up job for Mystique looked rather s*itty this time out? I think it looks a lot more fake now than it ever did even 14 years ago.

Just a few more thoughts to wrap up. After the fresh start that was First Class, bringing Wolverine back and once again making him a central figure feels like a little bit of a step back. While he's only had two official solo films this almost films like the 6th Wolverine-focused film we've now had in the series. And if you're going to bring him back I think you should at least use him correctly. His strongest feature for me is as a brutal, kick-ass warrior, but DoFP actually gives him surprisingly little opportunity to unsheathe those iconic claws of his, placing him more in the role of a diplomat trying to keep the peace between Magneto and Xavier. The fact that the film kills so many of the mutants introduced in First Class offscreen I found quite disappointing. And the use of Blink's portals aside I didn't think the film quite captured the same team dynamic that was present in First Class, with several of the team going off on solo missions or taking their enemies out all by themselves. And now a couple of other little things that I liked. While we get to see very little of it the wasteland that the Earth has become in the future dystopia is a very effective and stirring touch, and one that evokes the future war as seen in the Terminator films. Oh and one little touch that I really loved was the film recreating newreel footage of the decade to match actual footage from the era. It comes off looking like the Zapruder JFK film.

Amongst fans of superhero films, 2008 is seen as a bit of a holy grail for the genre; the release of both The Dark Knight and Iron Man, two of the most acclaimed and loved entries so far, gaining it that reputation. 2014 has so far seen the release of two great efforts (The Winter Soldier and Days of Future Past); if Guardians of the Galaxy lives up to the promise of its trailers then we could have a new contender for that title of comic book movie's holy grail year.

**Conclusion** - I know I've been pointing out a lot of flaws with the film in this review (perhaps as a response to all the gushing over it) but the truth is I did still find it to be an extremely entertaining addition to the X-Men series. As a result of some of those flaws however I'm not quite as high on it as many other people seem to be. For the moment I would have it in 2nd place amongst 2014's superhero flicks behind the excellent Captain America: The Winter Soldier, and after one viewing it would slot into 3rd place amongst the X-Men films.

One thing I should definitely add however is my condition when watching it. As I have been for a great deal of time recently I wasn't feeling particularly great when I went to watch it; feeling rather run-down and a bit yuck. So that perhaps hindered my enjoyment slightly,meaning there's a chance that score could rise on a repeat viewing.



**Bonus Film Trivia** - Patrick Stewart and Ian McKellen were performing in a touring production of "Waiting for Godot" when Bryan Singer approached the actors about reprising their respective roles as Professor X and Magneto. According to McKellen, both men were utterly shocked as they thought they'd passed their roles on to James McAvoy and Michael Fassbender, and would never play the characters again. Both Stewart and McKellen were delighted to return to two of their most popular roles, and to work with the younger actors playing the same characters as well. /// When Matthew Vaughn was going to direct, he was going to make the film a direct sequel to X-Men First Class and have it set in the 1970s. Early ideas included an opening with the Kennedy assassination being caused by Magneto, and mutant encounters set in the Civil rights movement/the Vietnam War. When Singer took over, he integrated these concepts into a viral marketing campaign to set up the action of the film. In this alternate history, Magneto is arrested and imprisoned for the assassination of Kennedy, but maintains his innocence. The "Bent Bullet" Theory (a reference to the real life "Magic Bullet" Theory criticized by conspiracy theorists) holds that the Warren Commission determined that Magneto manipulated Lee Harvey Osawld's bullets to kill the President in retribution for the murder of the mutants Azazel and Tempest by the CIA. Conspiracy theorists, based on Magneto's testimony, insist however that Magneto had tried to prevent the murder of Kennedy, and that the true shooter was not Oswald, but Mystique in disguise who, with the help of Emma Frost framed Magneto, and manipulated Jack Ruby into later murdering Oswald. The theory also posits that Mystique offered to double as Kennedy in an attempt to grab power, all of which backfired horribly, leading to anti-mutant hostilities.
Not as good as the previous X-Men movies but it has a pass... Jennifer Lawrence doesn't even get close to Rebecca Romijn. Also, Michael Fassbender and James McAvoy are really far from their senior characters performed by Ian McKellen and Patrick Stewart but the rest of original cast from first 2000's movie are great, as always.
This is a good and very enjoyable movie which, to me, was a bit surprising since I generally find that time travel is akin to sticking your foot in some messy and smelly stuff. It almost always screws up the movie in some way or another. This one was not without its faults but it did survive becoming too screwed up by it.

The opening scenes are indeed somewhat impressive throwing the viewer directly into an apocalyptic future where mutants as well as human are rounded up by sentinels. I could not help but think about Terminator during these scenes. Maybe not very original from a general point of view but the dark and gloomy opening was not the opening scenes I would have expected from an X-Men movie.

Then we, unfortunately, dive straight into some time travel when they send Wolverine back to 1973. This is of course a opportunity to make yet another twist of the mutant scare, mutants hunt, a good mutant is a dead mutant etc. story that we have seen in so many movies now. The main adversary changes but the general story idea stays the same and the arguments for hunting down the mutants are as silly as ever. Quite frankly, I find that angle a wee bit overdone and boring by now.

Luckily the story is fairly well implemented. The scene were Wolverine wakes up and disposes of the three thugs are rather funny. Pretty standard stuff but pretty funny nevertheless. The part where they retrieve Magneto is quite nice and the scene down in the Pentagon where the guards and everything else is “frozen” while Maximoff calmly walks around and rearranges things is outright hilarious.

I quite disliked the cheap twist where Magneto just decided to go amok and screw things up just when they were about to retrieve Mystique though. They could have spent some time coming up with a better way to twist the story at that time. The idiotic stuff with Wolverine getting a fit at the same time was just adding to my annoyance with that scene. This part is the main reason I will not give this movie a top score.

Apart from this scene the movie is a very well done superhero movie with lots of nice special effects. Sure it is also rather predictable but most people, including myself, do watch these movies mostly for the effects after all. As long as the plot is not downright stupid it get to pass.

Time travel. Okay, I have to harp a bit about time travel. I do not like it in movies because there are too many things that just does not add up. In this movie it is not too bad and most of the time the actual time travel aspect is kept out of the action. Wolverine goes back in time, does his stuff with a lot of action, and saves the day. Sure the dialog often comes back to the “I’m from the future” aspect but not much more. One thing annoys the hell out me though. Wolverine affects a lot of events while he is back there but not a single things seems to change in the future until one single event passes at the end of the movie. Then everything changes and it is happy ending. That is the kind of nonsense that time travel in movies ends up with.

Bottom line is that this is a very enjoyable movie. Without the rubbish plot twist in the middle it would have gotten 9 or 10 stars.
ok..i like all the x-mens except the last one. Logan. That was horrible. a 8 out of 10 for this
***Focuses on the best characters and an interesting story***

"X-Men: Days of Future Past" (2014) starts in an apocalyptic near-future where mutants are being wiped out by Sentinels, government-made robots created for this very purpose. The X-Men and Magneto decide to send Wolverine's consciousness back to his body in 1973 to prevent the Sentinels from attaining their mutant-killing powers.

This is easily one of the best X-Men films because of the interesting plot and the focus on the most interesting characters. Wolverine (Hugh Jackman) has been the top X-Men since day one so you can't go wrong with making him the focal point. James McAvoy and Patrick Stewart are excellent as Professor X, as are Michael Fassbender as young Magneto, Jennifer Lawrence as Mystique and Evan Peters as Quicksilver, the latter in a small but highly entertaining role. Nicholas Hoult as Beast gets an honorable mention and Bingbing Fan is notable as Blink, particularly her stunning face.

The plot is convoluted and yet easy to follow if you're familiar with the franchise's story arc. The film is all-around compelling. It has the confidence to slow down and be pensive while throwing in the requisite thrills and not forgetting to be entertaining. For instance, the creative and amusing way Quicksilver takes down a bunch of security guards at the Pentagon, which is one of the movie's top scenes. Lastly, I like the way Magneto’s great power is illustrated (you’ll see what I mean).

The film runs 2 hours, 11 minutes and was shot in Québec, Canada.

GRADE: A

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Jul 29, 2018

Spectre 2015 Online Anschauen - 1080p - DAT

Spectre 2015 Mit Untertitel Stream



Spectre"




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Adelstitel

Spectre 2015

Zeitdauer

189 Augenblick

Befreiung,Entbindung

2015-10-26

Güte

DAT 1080p
VHSRip

Buchgattung

Action, Adventure, Crime

Fachsprache

Français, English, Español, Italiano, Deutsch

castname

Asifa
K.
Powell, Fatima X. Reyhana, Ellea Z. Lamy









Spectre 2015 Spectre ganzer film deutsch, Spectre online stream - Ganzer film, Spectre ganzer film online stream - Deutsch




Well, cinema’s most treasured and resilient British spy guy is back as the legendary James Bond makes his twenty-fourth outing on the big screen in the highly anticipated and slickly-made Spectre. Worldwide Agent 007 fans understandably maintain their embedded expectations and vision as to what calculating and cunning mission their suave and sophisticated gun-toting, martini-sipping espionage thrill-seeker will encounter in his latest globe-trotting episode. Whatever Bond enthusiasts have in mind for the future twenty-fifth entry of the “licensed to kill” Lothario they should simply settle for the present stimulating currents that trickle as mind-bending material in the polished and percolating Spectre.

As for the dynamic performer that have served his time with action-oriented cinematic sensibilities through three previous super-charged James Bond installments, the steely-jawed and diligent Daniel Craig is back on the saddle again for his fourth stint as the crafty 007. Naturally both ardent and casual Bond followers can rattle off the filmography of Craig’s on-screen tour of duty as the debonair and daring secret service operative and even rate the previous films as they compare and contrast each edition. Some may give special attention to Craig’s first foray into stepping inside Bond’s explosive shoes for 2006’s Casino Royale that is considered a spectacular introduction for the dramatically trained actor. In 2008’s Quantum of Solace, it was a mixed bag at best as Bond followers for the most part gave this second 007 rendition an ambivalent sign of approval (not too many were thrilled with the awkward movie title either). Thankfully, 2012’s Skyfall bounced back for Craig’s take on the roguish Bond and made for some exceptional brownie points as the cagey spy returning to creative prominence. Now 2015’s Spectre hopes to make some hearty tie-ins to Craig’s past big screen adventures as the stoic jet-setting dynamo ridding the world of masterful riff raff.

In actuality, Spectre is serviceable in that it is an elaborate and excitable reminder of the preceding Bond films where bits of nostalgic elements from yesteryear are sprinkled throughout its presentation. Sure, some wily 007 fanatics may spot a few of the tossed in nods to the aforementioned Casino Royale and Quantum of Solace in particular as the proceedings unfold. For the most part, Spectre acts as a mere bridge to the launching of the upcoming 25th Bond actioner in waiting. To be fair the other Bond films have served as a welcome mat to the next chapter of the late Ian Fleming’s engaging and charismatic man of action so why should not Spectre be any different in this regard? Still, this spy caper has its signature swagger that Bond aficionados relish with familiarity: heart-pumping action sequences, exquisite locales, desirable and devious Bond women, majestic car chases, larger-than-life villains and their loyal henchmen, imaginative gadgets and inventive technology and yes…the indomitable James Bond at your service. Nevertheless. the minor knock on Spectre is that it could have risen to the occasion more than it did as it occasionally feels as if it is going through the mischievous motions. It never resorts to the levels of Bond-ish drudgery in Quantum of Solace so that certainly is a relief in that aspect.

Spectre does incorporate its share of opulence, mystery, suspense, shadowy tension and perilous plight. However, where the standard Bond film-making characteristics are somewhat consistent and captivating (i.e. the breathtaking opening sequence of the Day of the Dead celebration in Mexico City) there is also a questionable consideration for the weak-kneed Bond theme song in Sam Smith’s “Writing’s on the Wall” which seems so inadequately suited for a James Bond signature tune. Even the indifferent observers of the James Bond film franchise for the last five decades can attest to the two most important stamps of a Bond film–its opening scene and surging theme song. Thankfully, Spectre’s grand opening sequence obeys traditional Bond practices but Smith’s doggedly tired-sounding “Writing’s on the Wall” feels as it belongs attached to an old televised After School special from the mid-70s. Wouldn’t you give your kingdom for Paul McCartney and Wings’ “Live and Let Die” or Carly Simon’s “Nobody Does It Better” or perhaps even Sheena Easton’s “For Your Eyes Only”?

One thing that can be said about Craig’s Bond in Spectre and that is his image transformation has been elevated to that of a fashion plate whose GQ stylized look has taken quite a step up. Not since Roger Moore’s Bond has there been a clear case of dazzling attire on display for Agent 007 to strut his stuff in spiffy clothing accessories throughout his ventured travels. Craig, billed as a “blue-collar” Bond whose demeanor is more blunt and workman-like, takes comfort in basking in the finesse shadows of a classic Agent 007 almost foreign to his distinctive spin on the iconic spy. In fact, the overall vibe for Spectre seems to lie in the middle of old school and new school James Bond mythology where the shading suits both camps of the ever-lasting film franchise.

Director Sam Mendes, who handled the direction for the previous Skyfall, finds the right tone and temple for Spectre that certainly shows off its lavish and ambitious production values as the set designs, scenic locations, fabulous pre-credits action sequence are all indescribable in majestic scope. No one can accuse Spectre as to not holding its own in visual functionality. Wisely, Mendes does not forget his Skyfall background players as they reunite with Craig’s Bond and partake in the sensationalized cat-and-mouse caper. It is refreshing to see Ralph Fiennes back as “M” not to mention Ben Wishaw’s “Q” front and center. And a Craig-fronted Bond film would not be the same without Naomie Harris as Miss Moneypenny.

Agent 007 fans will find a common "Bond" with Daniel Craig and his fourth outing as the licensed to kill Lothario in the stunning and kinettic SPECTRE
Agent 007 fans will find a common “Bond” with Daniel Craig and his fourth outing as the licensed to kill Lothario in the stunning and kinetic SPECTRE
It is a given that the diabolical criminal network known as SPECTRE has always had its affiliation with the Bond universe especially in the classic Sean Connery Bond-age years. Instinctively, SPECTRE’s evil heart and soul was pumped continuously by that organization’s dastardly mastermind Ernst Stavro Blofeld. Oscar winner Christoph Waltz does the sordid honors of taking the reins as Bond’s nemesis Franz Oberhauser in Spectre with devilish delight and is more colorfully corrupt thanks to his handy go-to muscular minion Mr. Hinx (ex-professional WWE wrestler and “Guardians of the Galaxy” star Dave Bautista) echoing the memories of beloved brute Jaws (played by the late Richard Kiel) from The Spy Who Loved Me and Moonraker).

We can never forget that along with Agent 007 folklore comes the responsibility of being labeled a treasured Bond babe. And although the latest sultry women represented in Spectre will never make us forget the iconic likes of Dr. No’s Ursula Andress (Honey Ryder) or Casino Royale’s Eva Green (Vesper Lynd) for that matter they still hold their own and give a measure of titillation to both Bond and the vast amount of male admirers wishing they carried a gun and wore expensive tuxedos while being at the receiving end of a provocative smooch by these vibrant vixens. Lea Seydoux’s Madelene Swann and Italian siren Monica Bellucci’s Lucia are on board as the Bond bombshells for hire.

As a whole, Spectre has its up and down moments and never is quite sure about standing alone as an independent Bond story or being dismissed as a pit stop for 007-related flashbacks and reference bits ode to yesteryear’s glory of the super spy’s engaging and raging exploits. The verdict is that Spectre ultimately satisfies one’s craving for the invincible James Bond whether you can to relive his vintage reputation or look forward to a millennium-enhanced production that will grow with the ageless wonderment pertaining to Fleming’s literary ladies man-turned movie-making mainstay of action-packed cinema for half a century. As one-time Bond songbird Carly Simon would attest in her soothing lyrics, “nobody does it better…” Yet in the dimensional escapist world of James Bond this particular go-around could have been a tad bit better.

Spectre (2015)

Sony Pictures

2 hrs 28 mins.

Starring: Daniel Craig, Christoph Waltz, Lea Seydoux, Naomie Harris, Ben Whishaw, Dave Bautista, Monica Bellucci, Andrew Scott

Directed by: Sam Mendes

MPAA Rating: PG-13

Genre: Spy-Espionage Caper/Action & Adventure/Suspense Thriller

Critic’s rating: ** 1/2 stars (out of 4 stars)

(c) Frank Ochieng (2015)
A "correct" Bond movie. All the expected stereotypes are included, Waltz is an OK bad guy and the intro scene is something really impressive.

Nothing else really new ...
> Not your usual Bond movie, but still a good entertainer.

What I liked from a couple of last Bond movies was they were off the regular 007 style, like not overly rely on spy's special gadgets. This change has been since the day one of Daniel Craig as a famous British spy, James Bond. Anyway, he's the most fittest (muscular) Bond I've ever seen and he's celebrating 10 year anniversary with this film release. But the question is whether he to do another film or done with the franchise. The doubt after the confusing end of this film.

The end was quite clear on the story perspective, so I kind of felt it was a farewell for Craig. But, later I came to know that the official source says Bond25 will be his fifth and so on till he opts out himself. 'Spectre' was a very simple Bond movie I have ever seen, but I can say the production quality was so good that you can't resist the enjoyment. The actors, they were also good, but not as I anticipated. Maybe many scenes were very ordinary for a Bond movie, that's comparable with the nowadays action movies, otherwise it was not as bad as critics expressing their disappointment.

You can't believe what I was disappointed, you know when they say what the C stands for - is that the best word they come up with against the M for Moron? Anyway, James Bond movies have always had ups and downs, the last film 'Skyfall' was a mega hit and now this has not stood up to that standard. But very entertaining with all the actions and unexpected turns in the narration. As a spy movie, it was okay, but as a Bond movie is what might upset you, so its upto you how you look at it. But to be honest, I enjoyed it.

7/10

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