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Adelstitel	The Martian 2015
Geltungsdauer	189 sehr klein
Aussetzung	2015-09-30
Güte	SDDS 1080p DVD
Gattung	Drama, Adventure, Science Fiction
Programmiersprache	English, 普通话
castname	Alyssia I. Irina, Cléa K. Cristi, Steele H. Ornella

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'The Martian’ is definitely in the creative wheelhouse of filmmaker Ridley Scott whose Science Fiction sensibilities are grounded in colorful futuristic fantasies that tiptoe in grand whimsy. The veteran auteur responsible for such pop cultural high-minded spectacles in ‘Alien’, ‘Blade Runner’ and even the mixed bag reception of ‘Prometheus’ certainly brings a sophisticated and thought-provoking vibe to the probing aura of ‘The Martian’. As with other Scott-helmed productions, ‘The Martian’ settles nicely in its majestic scope that taps into visual wonderment, humanistic curiosities, technical impishness and the surreal spryness of the SF experience.

The exploratory nature of ‘The Martian’ is its own noteworthy mission. Scott arms his frothy planetary odyssey with a sense of thematic inquisitiveness and intelligence while meshing human consciousness and scientific forethought. Clearly, ‘The Martian’ is astutely meditative and one can thankfully block in their memory banks some of Scott’s mediocre misses (anyone care to recall the monumental mishaps in the form of the flimsy ‘The Counselor’ or the unintentional laughfest that was ‘Exodus: Gods And Kings’?). Rightfully so, ‘The Martian’ shares its crafty crater of similarities with other space-place spectacles that resonated with the imagination and innovation such as the Academy Award-winning ‘Gravity’ and the under-rated ‘Interstellar’.

Quite frankly, ‘The Martian’ is elegantly arresting in its sheer skin for both the character studies and the major plight involved (particularly anchored on the shoulders of star Matt Damon as the contemplative lead) as well as the trademark Scott-induced flourishes that incorporate crisp and cunning visual special effects and a sweeping musical score that invites a transfixing hold on one’s indelible spirit.

‘The Martian’ is the film adaptation of Andy Weir’s best-selling tome. Scott’s disciplined direction and screenwriter Drew Goddard’s ambitious vision of Weir’s compelling written material seemingly gels in convincing, cerebral fashion. The premise is not wildly original as it revisits the familiar foundation of a lost soul in survival mode trying to take on the treacherous surroundings with philosophical conviction. Nevertheless, this does not make ‘The Martian’ any less formidable in its soul-searching perspective. Scott’s narrative on individualism and isolation with a tremendous technological tilt truly registers with boisterous bounce. Amazingly, Scott has assembled a capable and committed cast that are dedicated to making ‘The Martian’ look resourcefully skillful in its masterful mischievousness. Sure, The Martian’s lengthy running time is staggering but it is compelling enough to invest in its meandering, adventurous narrative.

The ultimate nightmare (or perilous predicament…take your choice) has been realised for one stranded space traveler in Mark Watney (Matt Damon). You see…poor astronaut Watney had the misfortune of losing contact with his commander in Melissa Lewis (Jessica Chastain) and the rest of his crew when undergoing a scientific expedition to examine the terrain on Mars. Courtesy of an unexpected freakish storm Watney is separated from his comrades and believed to be dead as a result of the hazardous weather conditions on Mars. Lewis and her associates have no choice but to head back to Earth as searching for Watney may prove to be futile and endanger their lives as well.

Thus, Mark Watney is basically his own forced-upon version of ‘Robinson Crusoe On Mars’. There is no option for Watney but to allow his major survival instincts to kick in while striving for his jeopardised livelihood on the unpredictable and treacherous Red Planet’s jagged landscape. Despite being stuck in hostile territory, Watney must use his background skills as a trained botanist to cultivate the scarce food he must rely on for his unconventional nutrition. The only ‘companion’ that Watney has to relate to rests in the recorded device that captures his harried thoughts through video diaries (at least this is more practical than what Tom Hanks’s ‘Castaway’ character had in his possession with inanimate object best buddy, Wilson the volleyball).

In the meanwhile, the devastating news about Mark Watney’s possible death far beyond the reaches of home hits his colleagues understandably hard as tributes start to pour in remembrance of the seemingly dearly departed space pioneer. Soon, there is some measure of hope when NASA officials that include head honchos Teddy Sanders (Jeff Daniels from TV’s ‘The Newsroom’), Vincent Kapoor (the Oscar-nominated Chiwetel Ejiofor from ’12 Years A Slave’) and Mitch Henderson (Sean Bean) find evidence that Watney may be alive and ready to be rescued. Naturally, a sense of urgency is warranted to retrieve the weary astronaut without causing too many public relations waves. This puts press aide Annie Montrose (Kristen Wiig) into damage control mode in particular.

Okay...so it is not as scenic as Yellowstone National Park but the rocky region in THE MARTIAN still has some unassuming charm, right?
Okay…so it is not as scenic as Yellowstone National Park but the rocky region in THE MARTIAN still has some unassuming charm, right?
Importantly, ‘The Martian’ is clever and carefully conceived because it does not have to rely on the excess baggage to convey its entertainment value in a series of hyperactive and hedonistic happenings. Ridley Scott is soundly methodical in presenting a low-key terrifying tale of loneliness and resiliency and what it takes to handle the pressure of adversity when there is no glimmer of humanity around to reinforce or remind one of such psychological obstacles. The intriguing factor here is the science-friendly serving of intelligence and insight that builds up the audience’s appreciation for the underlying suspense. Interestingly, the conflict approached in ‘The Martian’ is not so much the back-and-forth high-scale struggles of man versus outlandish creature or an over-the-top diabolical deviant out to destroy the world in cartoonish fashion. No, the genuine combative and confrontational war of will is contained in one vulnerable man’s ability to face the unknown grounded in both doubt and determination. Hence, Scott has made a palpable thinking man’s Science Fiction exposition rooted in articulated forethought.

Damon more than holds his own as the disillusioned botanist/astronaut out on an ominous limb as his doomed odyssey of uncertainty is something that the common viewer can embrace and relate to without question. The perceived opulence in ‘The Martian’ is not contained in the film’s production values per se (Scott has made previous movies with more visual vitality and purpose) but subtly showcased in the concepts of knowledgeable tidbits concerning food rations, mathematical equations, crucial time tables, planetary probes, NASA-themed procedural techniques and aerodynamics considerations.

Hopefully, ‘The Martian’ is not dismissed as a foreign alien in the minds of ardent movie-going SF enthusiasts looking for a realistic and soulful space-age adventure with a refreshing backbone of scientific curiosity and candidness.

The Martian (2015)

20th Century Fox

2 hrs. 35 mins.

Starring: Matt Damon, Jessica Chastain, Jeff Daniels, Kristen Wiig, Michael Pena, Sean Bean, Chiwetel Ejiofor, Kate Mara, Sebastian Stan, Donald Glover and Benedict Wong

Directed by: Ridley Scott

MPAA Rating: PG-13

Genre: Science Fiction/Space Adventure/Science and Fantasy

Critic’s rating: *** 1/2 stars (out of 4 stars)
This is a movie that I have to say that I have a bit of a difficulty in rating. Quite honestly I was sorely tempted to remove a star, or even two stars. Why? Because it is full of Hollywood nonsense, scientific errors, it is rather predictable and it did feel a bit like a Apollo 13 rip-off. Why did I not remove those stars? Well, it is rather entertaining even if, at times, I squirmed in my seat.

The movie starts of with a somewhat implausible event where a unexpected storm hits the Mars camp which forces the ground crew of the Mars mission to hurry back to the launch vehicle before it tilts over. The launch vehicle gradually tilts a degree at the time. Is it just me finding this strange? Would storms on Mars defy the usual rules of weather dynamics that they would exert a constant pressure which would cause a slow but constant tilt of a construct like that. No gusts, no change in pressure? And why would it gradually tilt at all? Once the force would be enough for the landing struts on one side to leave the ground it would pretty much tilt right away. Okay, I am being picky so lets give that a benefit of a doubt for the time being.

Obviously one guy is lost during the dramatic events. This is equally obviously 100% predictable. The fact that the guy is still alive after the rest of the crew blasted off is obviously also 100% predictable but then, this you should have pretty figured out from the title of the move after all.

A lot of the rest of the movie is following this guys quest for survival on Mars using the left over equipment at his disposal and the NASA crew on Earth trying to rescue him. Yes the NASA crew on Earth does discover that he is alive which, again, is pretty much predictable. Of course this gave Hollywood the opportunity to add a utterly dislikable political bureaucrat that is pretty much in the movie for one reason and one reason alone…to be dislikable. Personally I just found him tiresome. But then, Americans seems to like these kind of people given the kind of trash that we see being pushed towards the upcoming presidential elections…from both sides!

There are a lot of good stuff in the movie. Even though it is rather predictable there are some suspense in it, there are a lot of good scenery, and even though you pretty much knows what is going to happen you do feel like cheering for the hero. Given the script I think a lot of the actors did a rather good job of their roles.

If the script writers would have brought on some decent scientific advisors I would say this would have been a great movie but it was frequently goofed up with issues that was just stupid. Like digging down a nuclear reactor a few feet in the ground. What the f… good was that supposed to do? And the constant use of simple plastic and duct tape to seal the environment. Yeah, right. Sure, Mars do have some atmosphere so it is not vacuum we are talking about but then in other scenes they seemed to assume almost zero atmosphere and made quite a bit use of explosive decompression effects.

Okay, okay I am probably nitpicking quite a bit here but, unlike many Science Fiction movies, this one tries to give an impression of being within the realms of realism and it is just too full of classical Hollywood mishaps for my taste.

As I wrote above I still think it is a movie worth watching. It has some suspense, it is well done from a photographic point of view and the actors are doing a decent job. I think 7 out of 10 stars is a fair rating but it should certainly not have more.
This is a movie following the lead started with Gravity with the human main character fighting for survival in space.

The plot has a good combination of suspense, action, humor and drama. Damon performs well and the rest of the cast does a good job and has been well chosen.

It is not a magnificent movie but it is good enough to fill a couple of hours of entertainment.
This movie is very entertaining and really imaginative. The narrative is well controlled so you don't feel bored or exhausted. The part that I like best is when the accident happened and Witney lost all his crops, the despair he had and the noisy scary sound of strong Mars winds blowing outside the base. The real loneliness.

However, this movie's plot was too straight-forward as I see. Nearly every action proposed by the sorts of parties and organization was execute, taking the story forward without stagnation. But this also made everything look too artificial. In comparison, Robinson Crusoe was much more twisted.
Liked it.

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The Help 2011 Stream Hd - 1440p - DTS

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Name	The Help 2011
Geltungsdauer	169 Minute
Ausgabe	2011-08-09
Güte	M1V 1440p DVDrip
Genre	Drama
Ausdrucksweise	English
castname	Orgito G. Emie, Camil I. Azeemah, Beckham T. Mariska

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Great setting, cast, story and performances. A must to be seen.
I just watched The Help, almost immediately after finishing the book. Now, when comparing The Film to The Book it was based on (generally speaking), one major rule of thumb almost always applies: The Book is better. The Help is no exception.

Accordingly, with the novel still so fresh in the back of my mind, separating my mind from the book in order to enjoy the film was an almost impossible task. No matter how hard you try, you just can't quit comparing the two, nitpicking every detail and being frustrated with everything they changed. Nevertheless, I was still able to enjoy the film for what it was, though I am glad that I possessed full knowledge of the actual story.

The Help tells the story of black domestic servants in 1960's Jackson, Mississippi. It focuses on white Miss Eugenia 'Skeeter' Phelan, and her efforts to give a voice to black maids by writing their stories from their perspective and thus giving them an opportunity to be heard for the first time in their lives. Among the black women, Aibileen and Minny are the two key characters.

So let's just get the "bad" stuff out of the way. One of the elements in the novel that I enjoyed the most was the incredibly delicate bond of trust and understanding that builds up (over an extensive period of time) between Aibileen and Skeeter. It really does take Skeeter a long time before she finally wins Aibileen over and convinces her to share her deepest feelings with a white woman. In the film, this process felt rather rushed, like Aibileen just woke up the next morning and decided to do it. What bothers me about this is not just the fact that (oh, cliché) it was "better" in the book, but mostly because the film forgets to underline WHY it took so long. Not only is it much more clearly explained in writing that these black women face an incredible danger in divulging their true feelings about the white women they work for, the film also fails to capture the palpable tension and sense of urgency of the book. These women aren't just risking their jobs, they are risking their lives, AND the lives of their loved ones. They're in danger just for being seen talking to a white lady. I found this to be a rather big flaw of the film.

The film also lacks a lot of the character development I was hoping for. Quite a few character changes were made, so that in the film they all just kind of appear out of nowhere, and more or less seem to go about their business without – again – the big "why" of it all. One of the most underexposed characters was a woman named Celia Foote, who is a poor white trash girl who married way out of her league – and because of it, has to face the constant disgrace and condescension from the other stuck-up, "sophisticated" white ladies. Celia is just the sweetest, loveliest person in the entire story, and her relationship with her maid Minny is heart warming. The fact that they barely included this in the film is a real shame.

OK – if I keep comparing the film to the book, this review will never reach its end. Obviously, there is a lot more I could (and certainly want to) say, but it's not really relevant to the effectiveness of this review. So, moving on.

At least they got the actors right! Each and every one of them was cast spot-on to their character. Emma Stone is wonderful as Skeeter –capturing her youthful daring and naiveté perfectly. There's also something about her voice and attitude that make it clear that this girl is different from her snooty bridge club peers. Viola Davis is the perfect Aibileen – all I kept thinking was, damn, she should have gotten that Oscar. Her performance is very moving and heartfelt. Octavia Spencer did actually win an Oscar for her role as Minny, and it was well deserved. She is exactly as I imagined Minny to be – sassy, smart-mouthed and with an attitude that could render any white woman speechless, even if it means losing her job a dozen times. Celia Foote is played by Jessica Chastain, and I fear I'm at risk of doubling over in superlatives to describe how perfect she was, so I'll just leave it at this.

The Evil Witch in this story is Hilly Holbrook, played by Bryce Dallas Howard. I'm not sure how big of a compliment it is to say that she is very good at playing a snide, cunning racist – so let's just say she is a very good actress. Another actress worth mentioning is Allison Janney, who plays the role of Skeeter's mother. Though she is not quite like I imagined her the way she was in the book (there we go again...), I always enjoy her performances very much and this one's no exception. Oh, and Sissy Spacek plays Hilly's mother, and she is a delight to watch. I got the feeling that the director extended her role to a little more than what it was in the book, just to give her more screen time. I don't blame him.

Overall, the film is properly paced and reasonably well-constructed, though some creative liberties are taken here and there considering the timeline. In comparison to the book, it is a little disappointing, but I can't think of a single book-to-film adaptation where this wasn't the case.

I still rate The Help 8 out of 10, because I think it is an important story to be told and the performances are stellar, but if you have a little more patience, I strongly recommend reading the book instead.
_(March 2013)_

LP – Wikipedia ~ Dies ist eine Begriffsklärungsseite zur Unterscheidung mehrerer mit demselben Wort bezeichneter Begriffe

The Slim Shady LP – Wikipedia ~ The Slim Shady LP Slim Shady bezeichnet Eminems Alter Ego ist nach dem UntergrundAlbum Infinite das zweite Soloalbum des USamerikanischen Rappers erschien am 23 Februar 1999 über Dr Dres Label Aftermath Entertainment sowie Interscope Records und stellt den Beginn des kommerziellen Erfolgs von Eminem dar

The Marshall Mathers LP 2 – Wikipedia ~ Das Albumcover wurde am 20 September 2013 über Eminems TwitterAccount verö ist in SchwarzWeiß gehalten und zeigt ein Holzhaus das bereits für das Cover von The Marshall Mathers LP diente und in dem der Rapper einen Teil seiner Kindheit verbrachte Fenster und Türen des Hauses sind mit Brettern vernagelt und im Vordergrund befindet sich ein Nadelbaum

LpRaum – Wikipedia ~ Die Räume auch LebesgueRäume sind in der Mathematik spezielle Räume die aus allen pfach integrierbaren Funktionen bestehen Das L in der Bezeichnung geht auf den französischen Mathematiker Henri Léon Lebesgue zurück da diese Räume über das LebesgueIntegral definiert werden Im Fall Banachraumwertiger Funktionen wie im Folgenden für allgemeines dargestellt bezeichnet man sie

Limited Partnership – Wikipedia ~ Eine Limited Partnership abgekürzt LP oder englisch für Beschränkte Partnerschaft ist eine angelsächsische Unternehmensrechtsform die mit einer deutschen Kommanditgesellschaft vergleichbar ist und aus mindestens zwei Gesellschaftern besteht Die Limited Partnership ist eine Rechtsform unter der viele angelsächsische PrivateEquityund VentureCapitalGesellschaften geführt werden

Regenballade – Wikipedia ~ Mit geringfügigen Ausnahmen hat Reichel auf dieser Platte auch sämtliche Instrumente gespielt Bedeutung Seit seinem Erscheinen wird das Album als Unterrichtsmittel im bundesdeutschen muttersprachlichen Unterricht verwendet was viele Unterrichtsempfehlungen und Praxisberichte in pädagogischen Fachzeitschriften belegen

Richtlinien für die Anlage von Straßen – Landschaftspflege ~ Die Richtlinien für die Anlage von Straßen Teil Landschaftspflege kurz RASLP sind ein in Deutschland gültiges technisches Regelwerk zur Beachtung der Belange des Naturschutzes und der Landschaftspflege bei Entwurf und Bau einer Straß werden herausgegeben von der Forschungsgesellschaft für Straßen und Verkehrswesen

Rechtsfahrgebot – Wikipedia ~ Geschichte Seit römischer Zeit wurde in Europa links gefahren Erst Napoleon Bonaparte führte zunächst in Frankreich später in den von ihm besetzten Ländern das Rechtsfahrgebot ein welches sich dadurch im größten Teil Europas Österreich wurde das Rechtsfahrgebot 1938 mit dem Anschluss an Deutschland überall eingeführt Italien stellte 1924 und Schweden 1967 in der

Finanzplan – Wikipedia ~ Unternehmen Kommt ein Schuldner seinen Zahlungsverpflichtungen nicht nach oder ist er nicht in der Lage die fälligen Zahlungspflichten zu erfüllen so liegt nach § 17 in Verbindung mit § 16 Insolvenzordnung der allgemeine Eröffnungsgrund für die Eröffnung des Insolvenzverfahrens vor Zur Vermeidung der Insolvenz sind von den Wirtschaftssubjekten somit die zukünftigen Einzahlungen

Diskette – Wikipedia ~ Ursprünglich mussten Disketten in der Regel vor ihrem ersten Gebrauch formatiert werden die dabei verwendeten Dateisysteme unterschieden sich jedoch anfangs von Rechnersystem zu Rechnersystem Durch die steigende Dominanz IBMkompatibler PCs etablierte sich ab 1981 für Disketten zunehmend das von Microsoft entwickelte und von IBM verwendete Dateisystem FAT12 als Standard und es kamen

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The Magnificent Seven 2016 Download - 1080p - MPE

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Ehrentitel	The Magnificent Seven 2016
Zeitdauer	195 minutiös
Kinostart	2016-09-14
Güte	MPEG-1 720p HDTS
Buchgattung	Adventure, Action, Western
Jargon	English
castname	Alon Y. Salmah, Voisine D. Maia, Elijah X. Hédi

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The western genre has gradually been making its way back into the cinematic fold. Recent dusty trail ditties such as David McKenzie's modern-day _Hell or High Water_ or Quentin Tarantino's _The Hateful Eight_ have proven to be recent saddle-tested gems that enthusiastically put cowpoke enthusiasts in movie theater seats. Furthermore, what would Hollywood do if it did not predictably invite yet another remake of a classic film into the moviegoers' mindset? Hence, director Antoine Fuqua takes a challenging stab at generating interest in his latest workman-like western shoot 'em up in the millennium-made version of **The Magnificent Seven**.

Naturally, Fuqua's chaotic and calculating gun-toting actioner is an updated remake of director John Sturges's 1960 film that starred late iconic box office big stars such as Yul Brynner, Steve McQueen, Charles Bronson and Eli Wallach. Of course in return Sturges's borrowed his artistic gun-for-hire gumption from legendary Japanese auteur Akiro Kurosawa's vintage and influential _Seven Samurai_. Fuqua, whose gritty urban police drama _Training Day_ secured a Best Actor Oscar for his **The Magnificent Seven** leading man in two-time Academy Award winner Denzel Washington, takes on the retelling of his particular _Seven_ with feisty fury. One would not necessary anoint Fuqua's outlaw tale as a superior successor to Sturges's borrowed blueprint from Kurosawa. However, Fuqua's array of blazing bullets from his bunch of rag tag bad boys has its own distinctive sense of decorative dare and destruction that feels authentic.

Screenwriters Nic Pizzolatto ("True Detective")and Richard Wenk deliver an unapologetic script that calls for high body counts, old-fashioned showdowns and a wild west waywardness that swaggers courtesy of Fuqua's corrosive crew. The popcorn entertainment in **The Magnificent Seven** is strictly in guilty pleasure territory so there is no need to tighten up your holsters for all you little buckaroos that are eager to wallow in Fuqua's cutthroat corral of gunslingers.

Mustached bounty hunter Sam Chisolm (Washington) is the all-dressed-in-black avenger whose mission is to provide protection for the town of Rose Creek, New Mexico. In his ambitious bid to save the jeopardized Rose Creek he must assembled a group of skilled gunmen able to stand up to the diabolical powers-that-be that look to foster the on-going havoc that prevails.

Specifically, Rose Creek is under the dastardly control of the diabolical Bartholomew Bogue (Peter Sarsgaard) that rules the town with an iron fist. The opening scene demonstrates how nefarious Bogue is at heart because he has no qualms about seizing land from its vulnerable owners or quieting down his critics with intimidating force. Basically, Bogue and his hideous henchmen are not to be reckoned with at all--unless you are willing to match wicked-minded wits with the raw and rough Chisolm and his gun-wielding renegades.

Rose Creek resident Emma Cullen (Haley Bennett, "Music in Lyrics", "The Girl on the Train") steps up to the plate in her effort to confront the nasty Bogue the only best way she knows how--hiring the capable and crafty collection of the Seven to contain this intimidating menace.

Joining Chisolm in his bloody quest to rescue Rose Creek from Bogue's disturbing clutches are explosives expert gambler Josh Farraday (Chris Pratt), and conflicted sharpshooter Goodnight Robicheaux (Ethan Hawke reuniting with his "Training Day" director and co-star Fuqua and Washington). The rest of the tag-a-longs include the outlandishly bearded Jack Horne (Vincent D'Onofrio from TV's "Law & Order: Criminal Intent"), Billy Rocks (Byung-hun Lee), Vasquez (Manuel Garcia-Rulfo) and Red Harvest (Martin Seinsmeier). Together, the anti-heroes known as the Magnificent Seven hope to meet the expectations of Emma's (and the town's) cause and eradicate the villainous Bogue by any means necessary.

**The Magnificent Seven** certainly does not have any pretensions about posing as a conscious-minded, revisionist western as it definitely does not have the prolific pedigree such as Clint Eastwood's _Unforgiven_ for instance. Nevertheless, the film does have a devilish impishness as its main function is to echo an exaggerated rustic feel to its throwback acknowledgement when westerns of yesteryear were just plain frivolous and furious without any particular rhyme or reason.

Sure, the characters have really no inside depth beyond their taste for roughshod recklessness and wild tumbleweed theatrics. This is not necessarily a bad thing to consider in Fuqua's **The Magnificent Seven** because the name of the game is serving up an escapist need for its giddy-up rush for the senses. Indeed, Washington and company will not make anybody forget the aforementioned Brynner and his squad from nearly six decades ago. Still, this particular _Seven_ has its own kind of favorable punch to savor.

The notable names in _Seven_ do rise to the occasion within the context of this otherwise basic story of the wannabe borderline good guys versus the bombastic bad guys. Washington's Chisolm is solidly smooth as charismatic as the leader of the pack. Pratt's Farraday is a charming hoot as the roguish gambling cad. Hawke's Goodnight does a decent job portraying the talented gun handler simply trying to get his groove back due to his shaken confidence from a prior incident (yes, the catchy movie moniker of Goodnight Robicheaux is a keeper to say the least). And D'Onofrio's amusing Horne is deliciously irreverent. The always adventurous Sarsgaard comes to life as the vile wonder whose presence inspires the Seven to tap into vengeance mode.

At the end of the roundup it is quite clear that **The Magnificent Seven** wants to lasso its penchant for resembling a showy Hollywood western even if it is at the expense of lifting its rowdy roots from the likes of its highly regarded predecessors from golden cinema's treasured past.

**The Magnificent Seven** (2016)

Sony Pictures

2 hrs. 12 mins.

Starring: Denzel Washington, Chris Pratt, Ethan Hawke, Peter Sarsgaard, Haley Bennett, Vincent D'Onofrio, Byung-hun Lee, Maunel Garcia Rulfo, Martin Sensmeier

Directed by: Antoine Fuqua

MPAA Rating: PG-13

Genre: Western/Drama/Action and Adventure

Critic's rating: ** 1/2 stars (out of 4 stars)

(c) **Frank Ochieng** 2016
In 1879, degenerate industrialist Bartholomew Bogue (Peter Sarsgaard) blockades the mining town of Rose Creek, and butchers a gathering of local people drove by Matthew Cullen (Matt Bomer) when they endeavor to confront him. Matthew's better half, Emma Cullen (Haley Bennett), and her companion, Teddy Q (Luke Grimes), ride to the closest town looking for somebody who can help them and happen upon abundance seeker Sam Chisolm (Denzel Washington), who at first decays their proposition until he learns of Bogue's contribution.

Chisolm embarks to enlist a gathering of gunslingers who can help him, beginning with card shark Josh Faraday (Chris Pratt).Watch and download "The Megneficent Seven" here _**movies watch free**_ They are later joined by sharpshooter Goodnight Robicheaux (Ethan Hawke), blade employing professional killer Billy Rocks (Byung-hun Lee), gifted tracker Jack Horne, Comanche warrior Red Harvest and famous Mexican criminal Vasquez (Manuel Garcia-Rulfo).

Touching base in Rose Creek, the seven take part in a gunfight with Bogue's implementer McCann (Cam Gigandet) and his men and push them away with a notice to allow Rose Creek to sit unbothered. Construing that Bogue and his strengths will return in seven days, the seven and Cullen train the sportspeople to guard their home and become attached to them. Watch and download "The Megneficent Seven" here **movies watch free** Robicheaux, frequented by the abhorrences of the Civil War and dreading the unavoidable executing he will be a piece of, forsakes the gathering and is supplanted by Cullen.

Bogue touches base with his strengths and assaults the city, however the desperados are trapped by the townspeople, prompting a shootout amid which Robicheaux rejoins the gathering, McCann is murdered by Vasquez, and Horne is executed by Bogue's Comanche professional killer Denali (Jonathan Joss), who is later slaughtered by Red Harvest. Watch and download "The Megneficent Seven" here _movies watch free_. Bogue then divulges his mystery weapon, a Gatling firearm, with which he executes various innocents. Acknowledging they're outgunned, the seven push the townspeople away and mount their last stand.

Robicheaux and Rocks are killed by a second round of gunfire as Faraday penances himself to demolish the Gatling firearm and whatever is left of Bogue's men, riding up to them in a last charge and afterward exploding a stick of explosive right beside the weapon. Bogue escapes into town, where he is faced by Chisolm, who incapacitates and wounds Bogue. Watch and download "The Megneficent Seven" here movies watch free. As Chisolm is choking Bogue, he uncovers that Bogue and his men assaulted and killed his mom and sister amid an attack quite a long while prior, in which he himself survived being hanged. Bogue is then lethally shot by Cullen while going after a shrouded weapon in his boot.

In the fallout, Faraday, Robicheaux, Rocks and Horne are covered around the local area and respected by the general population of Rose Creek as saints, while Chisolm, Vasquez and Red Harvest ride off, with Cullen commenting that their gallantry made them legends. Watch and download "The Megneficent Seven" here _movies watch free_.
**The new seven, all unique and diversified!**

Basically, people watch it for either those actors and the director or for an entertertainment. But we all know the story, how it begins and how it ends, since it was the remake of the 1960 film. Actually, it was a successful remake, but not as magnificent as the original. Maybe the youngsters might like this one better.

The director's favourite, Denzel Washington in one of the main characters. Not much change in the theme, except the screenplay was little altered, especially diversity in the film characters and their developments. Because nowadays that's a big issue in Hollywood cinema. So it was led by Denzel and possibly there will be a sequel like the 'Ocean's' trilogy.

The people from a small mining town decides to hire men with guns to fight the villainous businessman who slaughtered their loved ones. The unusual seven men come together and form a team with a plan to defend the town. So what comes next is the battle between the good and the bad that lasts for the whole final act.

The setting was completely refreshing, but slightly disappointing action sequences. All the seven characters were unique and awesome, but the film lacked the great battle scene that defines each one of them. Surely I favour it just for once watch that told from the todays imagination of the 1870s era. Feels like it should have been better, but in the end it is a satisfying film.

_6.5/10_
I seek righteousness. But I'll take revenge.

Directed by Antoine Fuqua and written by Nic Pizzolatto and Richard Wenk. Starring Denzel Washington, Chris Pratt, Ethan Hawke, Vincent D'Onofrio, Byung-hun Lee, Manuel Garcia-Rulfo, Martin Sensmeier, Haley Bennett and Peter Sarsgard. Music is by Simon Franglen (also working from a James Horner template) and cinematography by Mauro Fiore.

Seven gunmen band together to aid the town of Rose Creek whose inhabitants are being driven out by ruthless capitalist Bartholomew Bogue.

We are now in an age of film making where "tagged classics" are no longer sacrosanct. Any number of these "tagged classics" have been and will become viable for remake - reboot - reimaging for newer audiences. It's here, it happens and really there's nothing we can do about it but moan amongst ourselves. John Sturges' 1960 The Magnificent Seven (itself a remake of Kurosawa pic Yojimbo) is a much loved film, and not just in Western lovers circles, it's a film that non Western fans are known to enjoy - and rightly so, it deserves its place as a "tagged classic" and still enthrals over 50 years since its release. So the big studio big wigs and Antoine Fuqua were taking a major gamble remaking a classic remake with their own remake!

Undeniably the shadows loom large over the 2016 version, so much weight of expectation, in fact to some it was a stinker of a film even before it was released! Well, as those who have seen it will attest, both the fans and the dissenters, it hasn't raised the bar for the "Seven" formula, but, and this is very key here, the makers wasn't setting out to make a film that down the line would be perceived as a "tagged classic", and this is evident in the ream of extras available on the Blu-ray releases. They achieved what they set out to do, to make a blunderbuss Oater for the modern era to sample, and they have done it with much love, much cool and lashings of technical greatness. Add in a cast clearly enjoying themselves and not letting anyone down, and it's a tasty plate of beans.

Fuqua updates things by having his seven as a row of differing ethnicities, which works a treat, and crucially he and his writers are respectful of those characterisations, even if a bit more fleshing out wouldn't have gone amiss. Yet nothing is at a cost to honouring the great Westerns of old. Beautiful landscapes envelope the players, the musical score bouncing around man and nature with homaged sweetness. There's closeups, silhouetted slices of panache, superb stunt work (man and beast), glorious set design, and then there's the action. The fight sequences are excellently constructed, a feast for the eyes and ears, death and slaughter unfurled in brutal but hunger appeasing strokes. There's comic relief about the place, and while much of the dialogue wouldn't have the great poets of yore troubled, there is deepness to be found. Intelligence, too, the addition of PTSD to one of the main players is a notable piece of worth, while how wonderful to find a Western lady character of great substance (Bennett excellent), so good in fact she could have been one of the seven!

It's a bare bones story, with a pointless motive revelation tagged on for the finale, while some anachronisms will irritate those bothered by such. But if you are able to judge it on its own terms, as a Western entertainment for this era, and to accept it isn't trying to outdo the source of its inspiration, then a good time can readily be had. 8/10
Ditches all the cerebral factors in favour of dumb fun, but hey, it works.

Final rating:★★★ - I personally recommend you give it a go.
This is indeed a very good remake of an old classic. As always I am a bit worried when they make a remake of old classics that I liked. This remake is well worth watching though. Despite having a few minor gripes I went for 5 out of 5 stars on this one.

Most of you are probably familiar with the story of The Magnificent Seven. Gunslinger gets hired to protect a village from the evil industrialist, he picks 6 buddies to help him, trains the villagers, digs in and sits down and waits for the bad guys to arrive. A simple and well suited story for a bit of Western entertainment. I guess I should mention as well that the original Western is actually not the “real” original. That honor befalls Shichinin no samurai, or Seven Samurai in English, which is a Samurai movie by Akira Kurosawa and with Toshirô Mifune in the lead role. That is the movie from which the plot originates.

Anyway, history lesson is over, back to this movie. The movie starts of by introducing the main characters. The bad industrialist is a nasty piece of thug and quickly demonstrates that, although by no means being a blood splatter movie, it is definitely more cruel than what I remember from the original. Next in line is the movies hero played by Denzel Washington and I have to say that he plays the role very well. I liked him as the calm, fairly silent, but oh so deadly gunslinger from the first frame to the last.

The other characters fit quite well into their roles as well. I cannot make up my mind about Jack Horne though. I did like the character but at the same time I felt that he was a wee bit to comical at times. I also liked Goodnight Robicheaux quite a lot but the writer really went a bit over the top as far as I am concerned when he actually left.

Of course the entire movie plays out as a build up to the final big fight and it is a big fight, that has to be said. However there are plenty of things happening during this build up. Both things involving chemically propelled slugs flying around and things slightly less noisy.

Sam Chisolm has to pick up his buddies of course, each one being an opportunity for some cool movie story telling. Then we have the training of the villagers which, as expected, becomes a wee bit comical at times. Oh, and I almost forget that there is a nice little shootout when Chisolm and his buddies introduces themselves to Bogue’s thugs in the village. Said thugs includes the local Sheriff. To no ones surprise I believe. So much for law and order. Time for a new management.

So, fast forward to the end and the big fight. It is big, it is well done and it involves plenty of things that go boom. It is plenty of action but it is also the part of the movie where I have the biggest gripe. Okay folks there are going to be a mild spoiler now. With that out of the way, let’s go to the Gatling gun. It is always cool to see a Gatling gun let loose. However can we keep it a bit more realistic please? They fire thousands of bullets without reloading (they make a fuss about reloading later in the movie). Also they position the gun out in the open where it would have been relatively easy to shoot the men operating it. An idea that they finally get much later and manage to goof up. The final solution to taking out the gun is dramatic but quite convoluted. This is the part of the movie that made me go a bit what the fuck!

Apart from that I really enjoyed this movie. A good remake of an old classic.
My only objection with this version is the use of the Gatling gun. Though I know it's only a movie and it creates more excitement, the gun never fired that many rounds per load. That said, I still enjoyed the movie.

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The Avengers 2012 Stream Hd - 1080p - M2V

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Rechtsanspruch	The Avengers 2012
Dauer	174 Augenblick
Erlösung	2012-04-25
Beschaffenheit	MPE 1440p TVrip
Genre	Science Fiction, Action, Adventure
Sprachfähigkeit	English, हिन्दी, Pусский
castname	Arsh M. Ersan, Bledsoe G. Ksenija, Peta V. Shawana

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With a movie like this you wonder how all of the otherwise, main characters will work together and support the story.

No problems here. While as might be expected, R. Downey Jr. comes across largely central, it is still a good mix and IMHO the best scenes in the movie involve the generated Hulk character.

With that kind of successful melding of characters, Hollywood-scale egos and even computer generated characters; you have to give it up to the writers and director to make this the successful film that it is.
**A long format review from 2012**

My new favourite Marvel Cinematic Universe film, undoubtedly! Order goes thusly;

1. The Avengers
2. Iron Man
3. Thor
4. Captain America
5. Iron Man 2
6. The Incredible Hulk

I had the privilege of going to Sydney and watching this almost a full three weeks before it’s American release, in a special advance screening for fans and a handful of critics. I drove up and back on a day trip with my mate HRV, spent over $400 between us… So worth it.

I think perhaps my expectations of The Avengers were too high. In fact I know they were, even so, I feel that it almost managed to meet them. All but two of the fears I had about this epic were quashed without a doubt. I initially was worried about Mark Ruffalo helming the role of The Hulk/Bruce Banner after taking over from Edward Norton who was ousted after his first appearance. My complaints were completely unfounded however, as Mark Ruffalo presents us with an at least as good Marvel Hero.

In terms of entertainment, The Avengers is one of the greatest feats ever produced. At the screening I went to, I actually missed more than a couple of lines due to the fact that the entire bloody cinema was in hysterics from some classic Joss Whedon (Director - Buffy, Angel, Firefly, Dollhouse) humour. The squabbles between these larger than life characters are not quite up to the peak that Jon Favreau’s Iron Man & Iron Man 2 sit on, but in terms of film in general, they are some of the better interactions I’ve ever seen.

The only weak points I really have to whinge about are both quite minor, and perhaps can be rectified in the MCU future. Firstly, Thor’s return to Earth (whilst brilliantly dramatic and pretty) was quite weak in terms of exposition. That said, this isn’t a Thor movie, so we don’t need to know everything that happens to him. Also, in next year’s Thor 2, it is very possible we’ll discover more specific details about the first few scenes of his return. Secondly, Loki’s army also came across to me quite weakly. In case we have any Marvel aficionados in the crowd, I won’t spoil it by telling you who they’re supposed to be, but in general the whole army was essentially a meat shield used to bump out scenes in which The Avengers get to kick ass. A very enjoyable part of the film, but one that doesn’t really drive the story at all.

I feel the only way I can adequately describe just how much you need to see this movie (in cinemas) is this: For those of you who understand me, you will be know and be aware of just how much I fucking hate the concept of Blu-Ray. I am going to buy a Blu-Ray player, a HD television, and Blu-Ray discs, just so that I will get more special features when The Avengers is released. Never have I even considered doing such a thing before.

The Avengers doesn’t get into your mind and rape it in the best way possible like Revolver or Donnie Darko. It doesn’t get into your guts and turn them with nostalgic violence like the brilliance in Doomsday or Outpost. It gets into your heart, and leaves you not just wanting, but needing more. Long live the MCU!

90%

-Gimly
After the recent disappointments from Marvel, notably Thor and the abysmal second instalment of Ghost Rider, this was a pleasant experience.

The special effects are dazzling, the plot is acceptable and the heroes are not making total idiots out of themselves just because the director wanted some “depth” to their characters. Sure there is a little bickering in between them but not too much to distract from the fun.

I’ve always liked Robert Downey Jr’s portrayal of Tony Stark and his sharp tongue. I did wonder how they where going to get the Hulk in there since he’s supposed to be uncontrollable but they did it. Okay they downplayed his uncontrollability a bit but I can live with that. I absolutely loved the “puny god” scene (if you haven’t seen the film yet you’ll have to see it to know what I mean, I wont spoil it in advance).

I have to say that I found Thor himself a bit underwhelming again though. I just expect something more imposing as the good of thunder. But then I’m Scandinavian so…

Anyway, this was a great film. I enjoyed it very much.
One of the few movies to actually make me feel like a kid again, Joss Whedon was the perfect filmmaker to do this film. Everyone gets their time to shine. The script juggles every plot point and character moment with clarity and ease. It's funny, smart, and visually jaw dropping. Definitely lived up to the five movie hype.

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Captain America: The Winter Soldier 2014 Ganzer Film - 720p - AVCHD

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Captain America: The Winter Soldier-DAT-2014-stream hd-Sonics-DDP-uncut-online stream-blu ray-BDRip-SDDS-ganzer film-MPEG-1-stream.jpg

Titulierung	Captain America: The Winter Soldier 2014
Geltungsdauer	115 minuziös
Entladung	2014-03-20
Qualität	M4V 1440p Blu-ray
Gattung	Action, Adventure, Science Fiction
Fachsprache	English
castname	Rifky D. Mohamed, Jowen T. Orlena, Kévin C. Teja

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This movie is very good I loved it so much.
This is indeed a great piece of superhero entertainment. If superheroes and action, plenty of action, is within your sphere of interest then this movie truly delivers. There is even a story to support the stunts and special effects fireworks that is not too shabby. As a matter of fact, for being a Marvel-based movie, the story is more than acceptable.

As the blurb states, our hero is meeting a few adaptation issues after having been awaken into the modern world. Luckily the movie do not fall into the trap of making some silly comedy out of it but keeps these parts at a reasonable level where it stays funny without ruining the movie or disrupting the pace of the real story.

The story? Simple and not very original with the usual slew of traitors strewn about, you cannot trust anyone, our hero becomes a fugitive etc etc bla bla bla. It is however a pretty straightforward one which works quite well and is not getting bogged down in silly emotions and general idiotic behavior by our hero like for instance several instalments of Spider Man have done. Actually this is one thing that I really like with this movie. The hero is a true hero from start to finish without any of that modern Hollywood crap where the hero must be tarnished in one way or another to satisfy the directors and producers.

As I wrote above if you like superhero action movies then there is little not to like with this one. Acceptable story, plenty of action, good special effects, a cool chick (hey I am but an ordinary male, I like female actors in tight costumes) and a clear hero. None of the actors are really doing a bad job of it and in general the acting is as good as one can expect when portraying characters that, after all, are be totally ludicrous in real life. Its 8 out of 10 rating at IMDb (at the time of writing this) is well deserved. I am astonished that some people seem to have voted it down with a one star rating. It is a Marvel-based movie. You might feel it is more or less good but the style of the movie should not really be a major surprise to anyone and there is no way in hell that it deserves a one star rating unless someone really watched the wrong movie by accident.
Put *a little* bit of brain in a superhero's movie script and you will have everybody talking wonders about it.

This is not a bad movie but neither astonishing. Fun and entertaining and with great FX, as expected.
The Winter Soldier has all the action, quirky one-liners, and bold adventure that we have come to expect of a Marvel movie.

Plus we get introduced to a new/old villain as well as some fun romantic tension between Steve Rogers (Captain America) and Natasha Romanoff (The Black Widow). (Scarlett Johansson is perfect in this role.)

But this film also has some minor irritations all stemming from Marvel's tendency to make _Captain America_ more complicated than it really needs to be.

MINOR SPOILER ALERT:
1. The love story/non-story. Is this necessary? Will the Captain remain faithful to a 80 year-old woman on her deathbed OR engage in a date with his next door neighbor? Plus the tension between him and Natasha Romanoff is intense. This comes off as forced, awkward, and pointless.

2. “The deception goes deeper than you can imagine. You can’t trust anybody.” It's this way every time so it should no longer be a surprise.

3. He’s dead but not really. Not him, the other him. Well…they both were dead – not really – but now they are both alive. But one of them can’t remember who he really is. In this film we get to do this with two characters instead of one. It’s not a huge distraction but why does Marvel keep returning to this plot line?

END OF MINOR SPOILER ALERT

The Winter Soldier is best when Rogers and Romanoff are on the move trying to put the pieces of the puzzle together. The explosions are nice, the action scenes are intense but the real enjoyment of the film is where skill and wits are relied on more than gadgets and explosions.

Patriotism is a bit more nuanced this time around and it's better for it. The cast is great, no awkward acting moments to report. It’s a great summer flick with all the action you want.
Till the end of the road.

Stonking! Now this is more like it, after the disappointments that have been Iron Man 2 and Thor 2, Captain America gets a sequel of substance and sparks. It manages to blend everything required to make a great superhero film, lashings of derring-do heroics, action bonanza, adventure, some sexy sizzle and of course the key, a story with brains and mystery elements.

True enough to say that the considerable contributions of Black Widow and Falcon (and Nick Fury of course) keeps this as a lively Avengers spin-off movie, which is no bad thing at all, but it's still the Captain who dominates things, marking himself out as a viable main man. In fact the whole film has the old school comic book feel, yes there's the grandiose pyrotechnics - unsurprisingly amped up for the big finale, but there's an adherence to serial thriller conventions that is, well, rather warm and comforting.

With the Captain getting some surprising amount of emotional depth and humanity courtesy of the perfectly cast Chris Evans, the viewers have much to care about. Themes of Bondian world domination and global security crisis keep things nice and fanciful, while the unheralded work by the effects guys is modern cinematic art. There's some adherence to genre formula, and a bit of Marvel universe copy-catting going on, but this is one of the best films from the Marvel stable. A rich sequel indeed - more Captain America please. 9/10
**A long format review from 2014**

Misleadingly, the titular Winter Soldier is essentially a minor subplot in what is more of an espionage-technoir-thriller meets spectacle-epic than your typical super hero film. The real meat of the movie, thankfully, has some more substance behind it. Though it wouldn't surprise me if we learn later that Sebastian Stan's villain was forced to take a back seat via last minute script changes à la Hawkeye in _The Avengers_.

These things are of course a matter of opinion, and I'd like to watch _Winter Soldier_ at least once more (particularly in 2D... God do I ever hate 3D) before committing to any particular ranking. But even without that, I feel confident in saying it's the best MCU Phase 2 film to date. We must await _Guardians of The Galaxy_ and _Age of Ultron_ before cementing that little award, but I'd say that it stands at the very least above _Iron Man 3_ and _The Dark World_.

I always try to keep my reviews spoiler free, but being that in most parts of the world it isn't out yet, I'll be extra careful to do so with this one. This makes talking about _Winter Soldier_ on its own merits difficult, but there are certainly a few things that can be said.

Chris Evans (Cap'), Scarlett Johansson (Black Widow) and to a slightly lesser extent. Anthonie Mackie (Falcon) rule the film, and do so without any shortcomings. That's not to say that they couldn't physically have done any better, but their roles were all seamless as far as my blurred vision could tell, which is not an accolade I'd often give.

Where _The Dark World_ was simply a holding pattern for Thor with some very pretty pictures, _Iron Man 3_ and _The Winter Soldier_ went out and took some actual risks in their stories. But unlike _Iron Man 3's_, Winter Soldier's risks have (to its eternal credit) been universally well received.

Directors Joe and Anthony Russo also managed to cameo a couple of Community alumni, which will never be a bad thing in my eyes, even if they're just one-off, throwaway jokes.

As I said, I really feel I need to give _The Winter Soldier_ at the very least one more screening before I feel totally confident in my thoughts about it.

But the fact that I'm really fucking excited for that second viewing speaks in its favour if nothing else does.

86%

_-Gimly_
Captain America: The Winter Soldier opens up with an action sequence that's better than most action movie climaxes. It then sets up a really intriguing story before launching into one of the most suspenseful car chases since the Simpson/Bruckheimer 90s era. After that it's scene after scene of amazing action coupled with a complex story about heroes and villains being caught in a system that is too big to bring down, unless you're as good and level headed as Steve Rogers.

This isn't just a great comic book movie. It's a great movie; period. Using a spy thriller style mixed with martial arts and gunplay, set to the perfect music score, I would rank The Winter Soldier as one of my favourite action films hands down.

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The Revenant 2015 Mit Untertitel Stream - 720p - MPEG-1

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Rechtsanspruch	The Revenant 2015
Dauer	143 Minute
Entlassung	2015-12-25
Beschaffenheit	Sonics-DDP 1440p DVDScr
Genre	Western, Drama, Adventure
Sprachfähigkeit	English, Français
castname	Ardath U. Roxane, Adison W. Asselin, Livvie O. Fecteau

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The Revenant, a ravishingly violent Western survival yarn from Alejandro González Iñárritu, has a healthy few, scattered like acorns across its two-and-a-half-hour canvas..... no matter how extended, the film’s tense story is under the director’s complete control...DiCaprio’s performance is an astonishing testament to his commitment to a role. cinematographer Emmanuel Lubezki done a great job..as a supporting actor tom hardy is brilliant..must watch...
I thought this was a great movie. Seemed like it was a very physically demanding role for Leo.
Good performances by DiCaprio and, even more, Hardy.

Good directing, specially the initial attack, photography, landscapes and soundtrack but the story is, at some points, unnecessarily violent and the action scenes are, sometimes, somehow stupid; people letting others to kill them, or ignoring foes close by ...

A good movie all in all, but not one of the greatests.
> The one who came back from the dead to avenge.

The movie was inspired by the real event that sets in the year 1823, United States. When one of the crew members of the hunters left behind after he was severely hurt from a bear attack, he desperately looks for a way to get back to the camp alive, especially to avenge for the death of his close one. The whole film was about survival in the wilderness and to avoid the native Americans. But the introduction in the opening was very brief and in the final act, it was another brief man hunt. Overall, it was an enjoyable movie for adults with some gruesome scenes.

The movie was made on a grand scale. Well written screenplay, good direction, the cast, music and the locations, but it would have been even awesome if it was true to the original occurrence. I felt it was cinematically overdosed, especially for the commercial purpose. The fans of Leonardo Dicaprio's overwhelming celebration created a huge buzz. In fact, it looks like the entire Hollywood is his fan and the Oscars given to him out of sympathy, because I have seen his best performances better than this in the past.

The length of the movie was a big concern, should have been at least 15 minutes shorter. But the visuals were fantastic, the CGI bear was almost flawless. There are plenty of reasons why this should not be missed, at a time the narration lacks the realism. Otherwise, it would have made a wonderful semi-documentary film. So don't have high hope on this, especially if you're no ones fans, but just love watching movies like me. A little bit overrated everywhere, but still this movie is good, just good, that's it, not a masterpiece.

7/10
There's nothing really to complain about the acting but their praise and this movie is overrated. Read my full review here.

http://www.hweird1reviews.com/allreviews//therevenant
This is the best film I have seen all year (since 'Birdman', in fact, the previous film by Innaritu). It was expertly directed. The use of natural light really adds to the danger of the environment that surrounds Hugh Glass (Leonardo DiCaprio). Innaritu loves the camera to pan around objects and people to create a sense of awe and spectacle.

Leonardo DiCaprio really did deserve all the awards that he got for this role. I thought it was his best film by far. The realism and intensity of his performance really comes through.

The story was gripping throughout the whole film and I found the twists and turns very interesting.

★★★★½

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The Neon Demon 2016 Ganzer Film Deutsch - 1080p - MPEG-2

The Neon Demon 2016 Ganzer Film Deutsch

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The Neon Demon-FLA-2016-FLA-MPE-DVD-download-MPEG-MPEG-2-hd stream-M1V-TVrip-FLV.jpg

Anrecht	The Neon Demon 2016
Dauer	126 Konzept
Freisprechung	2016-06-08
Eigenschaft	FLA 1440p Blu-ray
Genre	Thriller, Horror, Mystery
Sprachfähigkeit	English
castname	Meeka U. Halle, Elsie R. Tatiana, Mirah J. Hayam

The Neon Demon 2016 The Neon Demon ganzer film deutsch, The Neon Demon online stream - Ganzer film, The Neon Demon ganzer film online stream - Deutsch

A SCREEN ZEALOTS REVIEW www.screenzealots.com

LOUISA SAYS:

What…did I….just watch?

Not for the uninitiated or those with weak stomachs, everyone’s favorite polarizing surrealist director Nicolas Winding Refn is back with the lurid, gory, sadistic, and horrifyingly beautiful “The Neon Demon.” This film makes a bold statement about the shallowness of Hollywood and the fashion industry in the most violent, brutal, bloody and disturbing way possible.

The film’s strength is in its breathtaking visuals. Refn once again establishes himself as a true auteur at the top of the visionary food chain. Even if you are one of the many who see him as pompous and pretentious, there’s no denying that few have quite the mastery of the craft of the visual arts as he does. This film belongs in a modern art museum.

It doesn’t matter that there’s not much of a plot: teenage ingénue Jesse (Elle Fanning) moves to Los Angeles to chase her dreams of becoming a model. She soon finds herself living in a sketchy motel with lecherous landlord Hank (Keanu Reeves) and surrounded by the seductive Ruby (Jena Malone), Gigi (Bella Heathcote) and Sarah (Abbey Lee), a pack of shallow, jealous, beauty-obsessed women. It’s hard to evaluate the performances since most consist of nothing more than striking and holding a pose or staring longingly into a mirror, but I do think that Reeves has one of the greatest (if small) roles of his career.

There’s no escaping the true debate this movie presents: is this a shrewd feminist manifesto or is it grossly misogynistic? It’s taken me three days to reflect on this and I’ve decided that it sways towards the former rather than the latter.

First, the film celebrates the female form; the women in the film are beautiful set dressings, designed to be admired (and not treated solely as sexual objects). Yes, the women are one-dimensional but at the same time, that works as a harsh criticism of the narcissism that’s so prevalent in the fashion industry. Refn also artfully expresses the malice that is sometimes deeply hidden in the female psyche. The film is insightful too: women have a dark side and sometimes we do feel like we are in a girl-eat-girl world (a phrase that the film takes a bit too literally).

Refn’s hypnotic signature is all over this stylish, elegantly violent film. Cinematographer Natasha Braier adds a disturbing hallucinatory effect while Cliff Martinez lends a thumping, ear-splitting, ominous score that reflects the overall atmosphere of insanity.

As with the director’s other films (“Drive,” “Only God Forgives“), there are plenty of scenarios that seem to be present with the sole intent to shock, offend or disgust. (Do we really need an extended scene of lesbian necrophilia? I guess you can argue the point, but the scene goes on a bit too long to make it seem relevant to the plot or characters). The extreme last act feels more like a pointless gross-out than a thoughtful commentary think piece. I think this is a good place to mention that this film is a very, very hard ‘R’ rating; I am surprised it’s not NC-17.

“The Neon Demon” isn’t your run-of-the-mill art house film; it’s so far beyond the art house that it’s in another dimension.

MATT SAYS:

A teenage runaway from Sandusky, Ohio steps off a bus into the glittering lights of Hollywood. All of her friends back home tell her that she’s destined to be a star, and she believes them. But Hollywood does not bestow fame and fortune without a price. First it will take her innocence, then it will take all that remains.

So is the story of “The Neon Demon,” the new film by auteur Nicolas Winding Refn (“Drive,” “Only God Forgives”). Elle Fanning is Jesse, the underage runaway that has been lured to Los Angeles by the whispered promises of becoming a famous model. She meets up with another innocent who was been lured to the city: photographer Dean (Karl Glusman), whose attempts at emulating the art he sees in Hollywood through pictures are met with sneering ridicule as “amateurish.” Dean hasn’t sold his soul, and those who have have nothing but contempt for him.

Jesse, on the other hand, makes the bargain readily: after being paraded before harshly appraising eyes and being judged a piece of meat worthy of notice, she willingly trades her virtue for empty glamour and attention. After having reborn on the runway, Jesse quickly learns that she has still not given enough: people continue to want more from her, and what they want she isn’t willing to give.

“The Neon Demon” is not for everyone. It’s not even for most. Even if you enjoyed “Drive,” you may find yourself frustrated and your patience tried by this movie. There is much to appreciate, but you will be challenged in doing so. In this film, Winding Refn has made an art piece that must be assessed, considered, and deconstructed. Those who are literal-minded will likely find their patience tried: the story isn’t about what’s happening on the surface, it’s about what’s happening underneath. You must watch, listen, and observe carefully.

One additional word of warning: “The Neon Demon” is highly disturbing and will upset many casual viewers. Apart from its gore and physical violence, the film pushes boundaries HARD. Terrible things are either shown or implied. I can’t for the life of me understand why the studio and theater chains thought that this was an appropriate film to release in nearly 800 theaters nationwide. One can imagine that of the few audience members who didn’t walk out during the first 20 minutes ran for the exits at its offscreen implication of child abuse.

If you’re still reading this review and haven’t been dissuaded yet, I recommend that you see this movie. It’s one of the most interesting discussion pieces in recent memory and it’s not one that I will soon forget.

**A SCREEN ZEALOTS REVIEW www.screenzealots.com**
I don't really foresee _The Neon Demon_ becoming my personal all time favourite film, but from a purely aesthetics point of view, it might just be the best movie I've ever seen.

_Final rating:★★★★½ - An all round great movie and a whole lot more._
**It's not anymore a competitive world, but jealousy!**

It started off very well and in the half mark, it completely lost. In the initial part, it looked like a normal film and then I think even the writer does not know what could happen, they just improvised with whatever they had. Writing was totally messed up. When they had the great characters, it becomes nothing in the end. I'm not a fan of this director, and all his films are average, but this one is the worst among them.

I'm not an art film hater, though I hate wasting scenes without any developments and this one had many like them. If you trim them all out, the overall film is around 45 minutes. The rest of the film was just music, colourful lights, and sometimes totally idle, which definitely drag the viewers to the boredom.

Whenever there was a scene with the story, like dialogues and developments, I thought it was going well. But then those useless, dialogueless segments turned me off. Especially the conclusion was absolutely crap. Elle was good, like a character made for her. Keanu Reeve was useless, his addition was just a marketing strategy that did not click.

This is the story of a teen girl aspiring to be a model, but surrounded by the jealousy people because of her fast growth. How it all goes between them and in the fashion world is what the film talks. The film is watchable, but mostly the second half onwards it gets boring. In the end, I don't think anyone would be satisfied completely with their watch, maybe very, very few, but if you consider the majority, this does not deserve to be suggested.

_3/10_
Awesome up til the climax. Goes from a guts-deep analysis of 1) narcissism and its development, 2) the horrors of fashion culture to a by-the-numbers "wow figure out the mystery wow" thriller. Turn it off when there's 30 minutes left and it'll be your film of the year

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